Dhurata Dora - Harrom - Chord

Key E major – C# minor Chords B, F#m, A, C#m, C Easy key G

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Capo 0

C#m  B  F#m  A

C#m
Dikur ti je kon ajo pjesa
B
Menojsha veç me ty nihna vetja
F#m
Për ty i kisha dhon edhe 2 jeta
A
U lodha mo me shi po du diell pak

C
Kom menu që na dy kena pasion
     B          
Edhe nuk m’lëndon

Se nime je ka m’don
F#m
Zonin ton e pata lon n’rington
      A
Tu ma bo me kërkon

E për kurgjo s’m’ ndrron
C#m 
Ty nisi me t’hi n’qef tani vetja
B
Ja nisi me t’pëlqy edhe tjetra
F#m
U ftofëm u bo dimën iku vera
A
Mes neve sun’ i ngjeh kilometrat

C#m             B
Aj, Aj, Aj, Aj, Aj
                                  F#m
Vet e bone punën nuk kom faj - aj aj
                                   A
Mos meno për ty po rri me vaj - aj aj

      C#m
Ti Harrom
                   B
Harrom, Harrom, Harrom
                        F#m
Edhe pse po m’vjen shum ron’
                 A
Me kon me mu nuk deshte, jo nuk deshte

      C#m  B  F#m  A
Ti Harrom

             C#m
Ti m’ke dhon vujtje kjo zemër o’ me fash
                B
Qysh me m’dasht mu kur ti veten se ke dashtë
               F#m
Shpesh m’vjen inat, sa kohën ma ke mar
             A
S’muna me ta fal, jo nuk muna me ta fal

C#m
Kujna po ja thu ato që mi the mu
B
Trego kon e gjete tjetër me lëndu
F#m
Ku ke pa be’ ti me rrena mu pendu
A
Çdo fillim e ka ni fund, po du me t’harru

C#m             B
Aj, Aj, Aj, Aj, Aj
                                  F#m
Vet e bone punën nuk kom faj - aj aj
                                   A
Mos meno për ty po rri me vaj - aj aj

      C#m
Ti Harrom
                   B
Harrom, Harrom, Harrom
                        F#m
Edhe pse po m’vjen shum ron’
                 A
Me kon me mu nuk deshte, jo nuk deshte

      C#m  B  F#m  A
Ti Harrom

End of song Play again?

Dhurata Dora - Harrom Tabs

NotesX

Harmony analysis

Dhurata Dora – Harrom: key and chord analysis

The song opens on C#m and ends on A. Its chords belong to both E major and C#m, so every chord below is read both ways.

Major view

E major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D# (leading tone, pulls home)
4 = A (the note that leans on the 3rd)

Minor view

C# minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = A (the minor's melancholy)
b7 = B (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C# minor side because it opens on C#m and C#m is heard 11 times while E never appears. That is an interpretation, not a rule — the same chords are just as valid seen from E major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from E major
Degree	Chord	Role	Notes	In song
I	E	Tonic — home	E · G# · B	—
ii	F#m	Supertonic — prepares the dominant	F# · A · C#	12×
iii	G#m	Mediant — a tonic-family shade	G# · B · D#	—
V/vi	G#	Secondary dominant V/vi — leads to C#msecondary dominant	G# · B# · D#	—
IV	A	Subdominant — moves away from home	A · C# · E	12×
V	B	Dominant — strongest pull home	B · D# · F#	12×
bVI	C	Borrowed from the parallel minorborrowed chord	C · E · G	1×
vi	C#m	Relative minor — the melancholy side	C# · E · G#	11×
vii°	D#dim	Leading-tone chord — tension	D# · F# · A	—

Seen from C# minor
Degree	Chord	Role	Notes	In song
i	C#m	Tonic — home	C# · E · G#	11×
ii°	D#dim	Supertonic — prepares the dominant	D# · F# · A	—
III	E	Relative major — the bright side	E · G# · B	—
iv	F#m	Subdominant — moves away from home	F# · A · C#	12×
v	G#m	Minor dominant — soft pull	G# · B · D#	—
V	G#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G# · B# · D#	—
VI	A	Submediant — warm colour	A · C# · E	12×
VII	B	Subtonic — steps back to the tonic	B · D# · F#	12×
#VII	C	Chromatic colour chordoutside the key	C · E · G	1×

Analysis

The key pair is E major and its relative C# minor (4 sharps). 5 different chords appear 48 times in total; 4 of them sit naturally inside the shared scale. C is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

A C#m EIV → vi C#mVI → iVI → i ×10

The move to watch is A → C#m, heard 10 times. From the C#m side it is VI → i (VI → i: falls a half step into home); from the E side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

E major pentatonic and C# minor pentatonic are the same five notes (E – F# – G# – B – C#): start from E for a brighter phrase, from C# for a bluesier one.
Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
On C, follow the chord's notes (C · E · G) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With E major shapes

No capo — open E shapes
Capo 2 + D shapes
Capo 4 + C shapes

With C# minor shapes

Capo 4 + Am shapes

Easiest keys on guitar

3 semitones up
2 semitones down · capo 2 keeps the original pitch

The song's harmonic story

The opening C#m lays a solid floor for everything that follows. The backbone is B, F#m, A, C#m — V–ii–IV–vi from the E side, VII–iv–VI–i from the C#m side. C briefly darkens the picture: borrowed from the parallel minor. Keep an ear on A → C#m (IV → vi in E, VI → i in C#m): VI → i — falls a half step into home. The final chord is A; the ear comes to rest in E.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Dhurata Dora - Harrom Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Dhurata Dora
Toni

Music: Denk

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