Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Sancak - Senin Yüzünden (Taladro) - Chord
Key Gb major – Eb minor Chords Ebm, B, Db Easy key G
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Key: Gb | D#m | Ebm
Capo: 0
Ebm Ebm B Db
Ebm
Beni duvarlara yine vurma
Canımı al ama kurtulma
B Db Ebm
Bir bilsen kimlerde arıyor seni kalbim
Yağmura gizlendi yine gözyaşları
B Db Ebm
Kimlerden geçiyor da bi senden geçmiyor kalbim
Ebm
Aynı sokaktayım, geldiğime şaşırdığın, görünce sarıldığın
B
Gözyaşımın kurumadığı aynı sokaktayım
Db
Yerime başka birini koyabildiğin aynı yataktayım
Ebm
Kalbim, ne diyeceksen söyle
İçinde kalmasın birkaç yarayla ölmem
B
Hala besleniyorum inan beni kanattığın yerden
Db
Hoşça kal diyemem sana tek isteğim ölmen
Ebm
Bana soruyor hesabını hayat
Ala ala seni aldı elimden
B
Kanla yazıyorum adını duvarlara
Db
Bugün ölürsem senin yüzünden
Ebm
Onu arıyor yana yana gönlüm
Kime inansa gitti peşinden
B
Yerine gelen seni soruyor bana
Db
Kimse memnun değil yerinden
Ebm
Her şeye kondu neden, her gece gitti biri
Ne acı öteki kafayı çekip gördü dibi
B
Bu yaşlı kötü dünya basit ve bitli biri
Db
Yutuyor iyileri hep giyiyor istediğini
Ebm
Yakama toz değiyor, kirim nazlıdır bu da az bilinir
B
Kanım pıhtılaşır yar yine aspirinim
Db
Öldüğüme sevinme, tanıyorum katilimi
Ebm
Her şeyin var nedeni oldukça nettik oysa kapıyı çekerken
B
Kimine bir ömür aşk kimine çok erken
Db
Elimle inşaa ettiğim üstüme çökerken
Ebm
Her kışın sonu bahara var varışı, fakat bahtım kara Haziran'da kar yağışı
B
Yirmilerde saçlarıma ak karışır
Db
Gözümün önündeyken aldatışın
Ebm
Hala gitmiyor ses, dinmiyor ter, ılımıyor ten
Ateş altındayım el izin namludayken
B
İçimden gelmiyor seni sevmek
Db
Bu cehennemde yaşamak zor yine de ölmek için erken
Ebm
Bana soruyor hesabını hayat
Ala ala seni aldı elimden
B
Kanla yazıyorum adını duvarlara
Db
Bugün ölürsem senin yüzünden
Ebm
Onu arıyor yana yana gönlüm
Kime inansa gitti peşinden
B
Yerine gelen seni soruyor bana
Db
Kimse memnun değil yerinden
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Sancak - Senin Yüzünden (Taladro) Tabs
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Harmony analysis
Sancak – Senin Yüzünden (Taladro): key and chord analysis
The song opens on Ebm and ends on Db. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because it opens on Ebm and Ebm is heard 16 times while Gb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | — |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | — |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | — |
| V/vi | Bb | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F | — |
| IV | B | Subdominant — moves away from home | B · D# · F# | 14× |
| V | Db | Dominant — strongest pull home | Db · F · Ab | 14× |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | 16× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | 16× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | — |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | — |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | — |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | — |
| VI | B | Submediant — warm colour | B · D# · F# | 14× |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | 14× |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 3 different chords appear 44 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- B Db GbIV → VIV → V EbmVI → VIIVI → VII ×14
- Db Ebm GbV → videceptive cadence EbmVII → iAeolian arrival ×13
The move to watch is B → Db, heard 14 times. From the Ebm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the Gb side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 1 semitone up
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The first chord is Ebm; the ear learns where home is within a second. The backbone is Ebm, B, Db — vi–IV–V from the Gb side, i–VI–VII from the Ebm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on B → Db (IV → V in Gb, VI → VII in Ebm): VI → VII — the rising step that heads for the tonic. It closes on Db, letting the Gb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sancak - Senin Yüzünden (Taladro) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Sancak
TaladroMusic: SancakArrangement: Dirty Beatz
TaladroMusic: SancakArrangement: Dirty Beatz
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