Kahraman Deniz - Ha Gayret - Chord

Key Eb major – C minor Chords Gm, Cm, Abmaj7 Easy key C (capo 3)

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Capo 0

Cm  Gm  Cm  Gm  Abmaj7  Gm  Cm  Gm

Cm                       Gm
Kalbime sığıyorken, sana yer bulamam uzayda
Cm                      Gm
Böylesinin benzeri yok, tam benim ayarımda
Abmaj7                      Gm
Doğru ve yanlış neden her zaman aynı mekanda
     Cm       Gm
Ve güzel ne güzel oluyor

  Cm                   Gm
Düşünce kurak kalemime yağmurun
  Cm             Gm
İhya eder ruhumu her yudum
  Abmaj7                 Gm
Beni evrenin öteki ucuna fırlatsan bile
          Cm
Sseni bulurum

      Cm               Gm
Kendimden kaçtım, sana döndüm
             Cm               Gm
Ne gururla diner ne inatla bu hasret
          Abmaj7              Gm
Eğer istersen, gönlüm yine teslim olacaktır
   Cm     Gm
Ha gayret

Cm  Gm  Cm  Gm  Abmaj7  Gm  Cm  Gm

Cm                       Gm
Hiçbir ışık yetmez bana, ben güneşe dokundum
Cm                       Gm
Bin kez doğsam, her seferinde senin olurdum
Abmaj7                       Gm
Söylediğini duydum, yine istediğime uydum
  Cm       Gm  
Affet, yetiyor bana böyle

   Cm          Gm
Şu an, seninle olması
   Cm           Gm
Ne dün kalır ne sonrası
Abmaj7        Gm            Cm
Benim yolum senin kapında biter

      Cm               Gm
Kendimden kaçtım, sana döndüm
             Cm               Gm
Ne gururla diner ne inatla bu hasret
          Abmaj7              Gm
Eğer istersen, gönlüm yine teslim olacaktır
   Cm     Gm
Ha gayret

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Kahraman Deniz - Ha Gayret Tabs

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Harmony analysis

Kahraman Deniz – Ha Gayret: key and chord analysis

The song opens on Cm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 24 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	—
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	30×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IVmaj7	Abmaj7	Subdominant — moves away from home	Ab · C · Eb · G	8×
V	Bb	Dominant — strongest pull home	Bb · D · F	—
vi	Cm	Relative minor — the melancholy side	C · Eb · G	24×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	24×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	—
v	Gm	Minor dominant — soft pull	G · Bb · D	30×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VImaj7	Abmaj7	Submediant — warm colour	Ab · C · Eb · G	8×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	—

Analysis

The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 62 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×21

The move to watch is Gm → Cm, heard 21 times. From the Cm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Eb side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Abmaj7, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
2 semitones up

The song's harmonic story

The opening Cm lays a solid floor for everything that follows. The chords that keep coming back are Gm, Cm, Abmaj7; read them as iii–vi–IVmaj7 in Eb or v–i–VImaj7 in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gm → Cm (iii → vi in Eb, v → i in Cm): natural-minor cadence — gentle, modal arrival. Ending on Gm, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.