Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Şanışer - Belki - Chord
Key G major – E minor Chords Am, Em, D, C, Bm Difficulty already in its easiest key
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Key: G | Em
Capo: 0
Am D Em C Am D Em
Am D Em C
Dostlarım gider arkadaşlıklarım biter elbet
Am Bm Em
Ama ben kalırım, hatırlanırım da belki
Am D Em C
Çıkar mahsülü münasebetleri biter elbet
Am Bm Em
Ama ben kalırım hatırlanırım da belki
Am D
Özlemle beklemekteyim hala ilkbaharı ya da yazı
Em C
Yüzümü güldürebilen tek şey bu, bi dostumun araması
Am D
İyi değilim, olamam da, sanki her gün kar havası
Em C
Çünkü üstümde kara bulutlar, göremiyorum hava nasıl
Am D
Oradasın. Kal gitme hiç, budur benim bütün derdim
Em C
Soluk tenli kalbimdeki sıcak küçük figür sensin
Am D
Sen gül diye ağlardım ben çocuk gibi, ki gülmezdin
Em C
Başka birisi güzel yüzünü güldürebilir, bi gün belki
Am D Em C
Dostlarım gider arkadaşlıklarım biter elbet
Am Bm Em
Ama ben kalırım, hatırlanırım da belki
Am D Em C
Çıkar mahsülü münasebetleri biter elbet
Am Bm Em
Ama ben kalırım hatırlanırım da belki
Am D
Yıldızlarımı giyindim üstüme ama ruhum çok zayıf halen
Em C
Bana kızma, ağzım "gel" diyorken bile sana "dur" derse ifadem
Am D
Yeni şeyler öğreniyor insan yaklaşınca gerçeğe manen
Em C
Ve anlıyorsun ki hayat güzel, güzel olmayan her şeye rağmen
Am D
Sürekli yenilmekteyim hayatımda yok son round
Em C
Hatalarımı anlıyorum ama sen gittikten çok sonra
Am D
Yerden kalkmak zor geliyor, her tarafım toz toprak
Em C
Sanırım dünyadaki en zor şey sonsuza dek dost olmak
Am D Em C
Dostlarım gider arkadaşlıklarım biter elbet
Am Bm Em
Ama ben kalırım, hatırlanırım da belki
Am D Em C
Çıkar mahsülü münasebetleri biter elbet
Am Bm Em
Ama ben kalırım hatırlanırım da belki
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Şanışer - Belki Tabs
NotesX
Harmony analysis
Şanışer – Belki: key and chord analysis
The song opens on Am and ends on Em. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it comes to rest on Em and Em is heard 22 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 22× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 6× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 15× |
| V | D | Dominant — strongest pull home | D · F# · A | 16× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 22× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 22× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv | Am | Subdominant — moves away from home | A · C · E | 22× |
| v | Bm | Minor dominant — soft pull | B · D · F# | 6× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 15× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 16× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 81 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- D Em GV → videceptive cadence EmVII → iAeolian arrival ×16
- Am D Gii → Vii → V Emiv → VII ×16
- Bm Em Giii → vi Emv → inatural-minor cadence ×6
The move to watch is D → Em, heard 16 times. From the Em side it is VII → i (Aeolian arrival: rises a whole tone into home); from the G side it reads V → vi (deceptive cadence: expected G, lands on Em). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The first chord is Am; the ear learns where home is within a second. The backbone is Am, Em, D, C — ii–vi–V–IV from the G side, iv–i–VII–VI from the Em side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on D → Em (V → vi in G, VII → i in Em): Aeolian arrival — rises a whole tone into home. Ending on Em, the song seals Em as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Şanışer - Belki Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: ŞanışerMusic: Şanışer
Can Sanıbelli
Can Sanıbelli
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