Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Dil Tengi - Yanarım Hü Dost - Chord
Key Db major – Bb minor Chords Ebm, Abm, Db, Gb Easy key D
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Key: Db | A#m | Bbm
Capo: 0
Abm Ebm
Mecnunum gezerim gönlüm divane
Abm Ebm
Muhabbet narına yanarım Hü dost
Abm Ebm
Özüm türab ettim serdim meydana
Abm Ebm
Aşk meyinden içip dönerim Hü dost
Db Abm
Seni arzularım sanadır yolum
Ebm
Gece gündüz seni zikreder dilim
Db Abm
Senden ayrı değil ayandır halim
Ebm
Hamd ile şükrümü sunarım Hü dost
Gb Ebm
Nefsi silmek değil bilmektir erdem
Gb Ebm
Gönlüm hükmediyor aklıma her dem
Db Abm
Benliğime kilit idrak iradem
Ebm
Kusur deryasında sınarım Hü dost
Abm Ebm
Hu çekip dönüyor cümle aşığın
Abm Ebm
Karanlığa nurun vücut ışığın
Abm Ebm
Bilirim kabemdir kalpte eşiğin
Abm Ebm
Sıtkile çağırır anarım Hü dost
Db Abm
İhtişam palasta fanidir hanım
Ebm
Erenler yolunda yolcu kervanım
Db Abm
Canım sermayedir aşk bezirganım
Ebm
Ebedi mekanı ararım Hü dost
Gb Ebm
Hakikat şerbeti birgün içerim
Gb Ebm
Dertlerim içinde derman seçerim
Db Abm
Ahdı peymanım var dosta göçerim
Ebm
Ervahı ezelden kararım Hü dost
Gb Ebm
Dost Yusuf hak ile doldum taşarım
Gb Ebm
Aşkının seliyle akar coşarım
Db Abm
Damlayım ummana bir gün düşerim
Ebm
Karışıp özünü sararım Hü dost
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Dil Tengi - Yanarım Hü Dost Tabs
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Harmony analysis
Dil Tengi – Yanarım Hü Dost: key and chord analysis
The song opens on Abm and ends on Ebm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Db major side because Db is heard 7 times while Bbm never appears. That is an interpretation, not a rule — hearing the same chords from Bb minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 7× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 21× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | — |
| III | F | Chromatic colour chordoutside the key | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 6× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | — |
| v | Abm | Chromatic colour chordoutside the key | Ab · Cb · Eb | 15× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | — |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | — |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | 7× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 21× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | — |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 6× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | — |
| vii | Abm | Chromatic colour chordoutside the key | Ab · Cb · Eb | 15× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 4 different chords appear 49 times in total; 3 of them sit naturally inside the shared scale. Abm step outside the scale as colour chords.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over Abm, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone up
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The first chord is Abm; the ear learns where home is within a second. The backbone is Ebm, Abm, Db, Gb — ii–v–I–IV from the Db side, iv–vii–III–VI from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Ebm, letting the Db side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Dil Tengi - Yanarım Hü Dost Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Dost Yusuf ÇıldırMusic: Dil Tengi
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