Deniz Tekin - Biliyorsun - Chord

Key Eb major – C minor Chords Cm, Fm7, Ab, G7, Bb, Gm7 Easy key G

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Capo 0

Cm  Bb  Ab  G7

Cm            Bb      Cm
Hayat bazen öyle insafsız ki
               Fm7
Küçük bir boşluğundan yakalar
Ab             Fm7
Hissettirmez en zayıf anında
Ab             Gm7     Cm
Seni ta yüreğinden yaralar

Cm              G7
Ellerin kolların bağlansa da
              Cm
Başında kasırgalar kopsada
                 Fm7
Sen tüm gücünle karşı koysanda
Bb            Ab        G7
Seni acımasız sevdaya salar

Cm                   Fm7
Sende benim kadar gerçekleri görüyorsun
Bb                 Cm
Beraber olamayız benim gibi biliyorsun
Ab                 Fm7
Bir başka dünyanın insanısın yavrucağım
G7
Sen kendi dünyanın toprağında büyüyorsun

Cm  Fm7  Bb  Cm  Ab  Fm7  G7  G7

Cm               Bb     Cm
Haklısın biraz geç karşılaştık
                Fm7
Oysa hiç konuşmadan anlaştık
Ab                Fm7
Bazı şeyler var ki söylenmiyor
Ab                Gm7       Cm
Biz senle sözleri susarak aştık

Cm              G7
Ellerin kolların bağlansa da
              Cm
Başında kasırgalar kopsada
                 Fm7
Sen tüm gücünle karşı koysanda
Bb            Ab        G7
Seni acımasız sevdaya salar

Cm                   Fm7
Sende benim kadar gerçekleri görüyorsun
Bb                 Cm
Beraber olamayız benim gibi biliyorsun
Ab                 Fm7
Bir başka dünyanın insanısın yavrucağım
G7
Sen kendi dünyanın toprağında büyüyorsun

End of song Play again?

Deniz Tekin - Biliyorsun Tabs

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Harmony analysis

Deniz Tekin – Biliyorsun: key and chord analysis

The song opens on Cm and ends on G7. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)
#7 = B (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it opens on Cm, Cm is heard 17 times while Eb never appears and the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii7	Fm7	Supertonic — prepares the dominant	F · Ab · C · Eb	12×
iii7	Gm7	Mediant — a tonic-family shade	G · Bb · D · F	2×
V7/vi	G7	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D · F	9×
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	10×
V	Bb	Dominant — strongest pull home	Bb · D · F	8×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	17×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	17×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv7	Fm7	Subdominant — moves away from home	F · Ab · C · Eb	12×
v7	Gm7	Minor dominant — soft pull	G · Bb · D · F	2×
V7	G7	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D · F	9×
VI	Ab	Submediant — warm colour	Ab · C · Eb	10×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	8×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 6 different chords appear 58 times in total; 5 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G7 is V7/vi, a secondary dominant heading for Cm.

Chord movement

G7 Cm EbV7/vi → visecondary resolution CmV7 → iharmonic-minor cadence ×7
Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×5
Fm7 Bb Ebii7 → Vii → V Cmiv7 → VII ×5
Fm7 G7 Ebii7 → V7/vi Cmiv7 → V7iv → V ×3
Gm7 Cm Ebiii7 → vi Cmv7 → inatural-minor cadence ×2

The move to watch is G7 → Cm, heard 7 times. From the Cm side it is V7 → i (harmonic-minor cadence: the major V resolves dramatically); from the Eb side it reads V7/vi → vi (secondary resolution: G7 resolves a fourth up to Cm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Fm7, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
When G7 comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

4 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The opening Cm lays a solid floor for everything that follows. The chords that keep coming back are Cm, Fm7, Ab, G7; read them as vi–ii7–IV–V7/vi in Eb or i–iv7–VI–V7 in Cm. G7 is the interesting twist: in Eb it is a chromatic chord (V7/vi), while in Cm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on G7 → Cm (V7/vi → vi in Eb, V7 → i in Cm): harmonic-minor cadence — the major V resolves dramatically. Ending on G7, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.