Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Deniz Tekin - İkiyi Geçti - Chord
Key Gb major – Eb minor Chords Abm, Ebm, B, Bb, Db, Gb, Ab Easy key C (capo 6)
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Key: Gb | D#m | Ebm
Capo: 0
Ebm Abm Db Gb
Öylesine beklemişiz sanki bi garda
B Abm Bb Ebm
Sordurmuşuz treni gelmeyecekmiş
Abm Db Gb
Öyle susup oturmuşuz orda bi bankta
B Abm Bb Ebm
Kaçırırsak treni beklemiycekmiş
Ebm Abm Db Gb
Ağlamışız acımızdan bir tel koptu saçımızdan
B Bb
Düştü yerlere, düştü yerlere
Ebm Abm Db Gb
Atmışız da tutmuşuz da sallamışız kıçımızdan
B Bb
Öyleyse bile, öyleyse bile
Ebm Abm Ebm Ab
Ben ister miydim böyle olsun ah canım ah gülüm
B Abm Bb Ebm
Kaderim uğraşacak bir beni seçti
Abm Ab
Ben ister miydim böyle olsun istemezdim
B Abm Bb Ebm
Saatim çoktan ikiyi geçti
Ebm Abm Db Gb
Öylesine beklemişiz sanki bi garda
B Abm Bb Ebm
Sordurmuşuz treni gelmeyecekmiş
Abm Db Gb
Ne gitmişiz ne kalmışız öyle sokakta
B Abm Bb Ebm
Bi bilene sorduysam da söylemiycekmiş
Ebm Abm Db Gb
Ağlamışız acımızdan bir tel koptu saçımızdan
B Bb
Düştü yerlere, düştü yerlere
Ebm Abm Db Gb
Atmışız da tutmuşuz da sallamışız kıçımızdan
B Bb
Öyleyse bile, öyleyse bile
Ebm Abm Ebm Ab
Ben ister miydim böyle olsun ah canım ah gülüm
B Abm Bb Ebm
Kaderim uğraşacak bir beni seçti
Abm Ab
Ben ister miydim böyle gündüz gece
B Abm Bb Ebm
Saatim çoktan ikiyi geçti
Ebm Abm Ebm Ab
Ben ister miydim böyle olsun ah canım ah gülüm
B Abm Bb Ebm
Kaderim uğraşacak bir beni seçti
Abm Ab
Ben ister miydim böyle olsun istemezdim
B Abm Bb Ebm
Saatim çoktan ikiyi geçti
B Abm Bb Ebm
Saatim çoktan ikiyi geçti
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Deniz Tekin - İkiyi Geçti Tabs
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Harmony analysis
Deniz Tekin – İkiyi Geçti: key and chord analysis
The song opens on Ebm and ends on Ebm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
- #7 = D (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because it both starts and finishes on Ebm, Ebm is heard 23 times against 8 for Gb and the major V chord points straight at Ebm. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | 8× |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | 25× |
| V/V | Ab | Secondary dominant V/V — leads to Dbsecondary dominant | Ab · C · Eb | 6× |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | — |
| V/vi | Bb | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F | 15× |
| IV | B | Subdominant — moves away from home | B · D# · F# | 15× |
| V | Db | Dominant — strongest pull home | Db · F · Ab | 8× |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | 23× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | 23× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | 8× |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | 25× |
| IV | Ab | Major IV — Dorian / melodic-minor colourmodal colour | Ab · C · Eb | 6× |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | — |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | 15× |
| VI | B | Submediant — warm colour | B · D# · F# | 15× |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | 8× |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 7 different chords appear 100 times in total; 5 of them sit naturally inside the shared scale. The major V of Ebm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Gb, the same Bb is V/vi, a secondary dominant heading for Ebm. Ab acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Bb Ebm GbV/vi → vi EbmV → iharmonic-minor cadence ×15
- Abm Bb Gbii → V/vi Ebmiv → Viv → V ×11
- Db Gb GbV → Iauthentic cadence EbmVII → III ×8
- Abm Db Gbii → Vii → V Ebmiv → VII ×8
- Abm Ebm Gbii → vi Ebmiv → iminor plagal ×3
The move to watch is Bb → Ebm, heard 15 times. From the Ebm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the Gb side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Abm, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
- When Bb comes, swap the scale's Db for D: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone up
The song's harmonic story
Starting on Ebm, the song gives away its key from the very first bar. The backbone is Abm, Ebm, B, Bb — ii–vi–IV–V/vi from the Gb side, iv–i–VI–V from the Ebm side. Bb is the interesting twist: in Gb it is a chromatic chord (V/vi), while in Ebm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Bb → Ebm (V/vi → vi in Gb, V → i in Ebm): harmonic-minor cadence — the major V resolves dramatically. The final chord is Ebm; the ear comes to rest in Ebm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Deniz Tekin - İkiyi Geçti Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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