Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Cem Adrian - Yeniden (Şanışer) - Chord
Key Eb major – C minor Chords Cm, Ab Easy key G
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Key: Eb | Cm
Capo: 0
Cm
Yeniden, yeniden, yeniden
Yeniden, yeniden, yeniden
Ab
Uçacak kalbimin kuşları
Açacak kırılan kanatları
Cm
Gülümsedim göğe
Varmışçasına umudum
Ab
Yalnız başına gitmek cesaret isterdi
Korktum ve bile bile yanlışlarıma tutundum
Cm
Saf suya süründüm
Kirli kaldı ruhum arzuya büründüm
Ab
Merhem olmaktı hayalim yaralara
Olmadı savaş oldum mermi oldum namluya sürüldüm
Cm
Yandı yaralı yazı yeniden
Yazdı yaramı yazgım aman aman
Ab
Vurdu yeminlerimi biliyorum
Cm
Bilirim anlamak zor, kalmamak zor
Gidenleri anlamak zor
Ab
Yeniden uyanıp güne başlamak zor
Cm
Beni yazlara sor, ayazlara sor
Şu kirli beyazlara sor
Ab
Yeniden uyanıp güne başlamak zor
Cm
Sessiz kaldım
Ab
Düştüğüm o derin çukurun dibinde
Kayboldum
Cm
Kimsenin bilmediği bir gökyüzünde
Güçlü kaldım, ayakta
Ab
Tutundum daha sıkı tutundukça
Ellerimi kanatan o keskin umuda
Cm
Bilirim anlamak zor, kalmamak zor
Gidenleri anlamak zor
Ab
Yeniden uyanıp güne başlamak zor
Cm
Beni yazlara sor, ayazlara sor
Şu kirli beyazlara sor
Ab
Yeniden uyanıp güne başlamak zor
End of song Play again?
Cem Adrian - Yeniden (Şanışer) Tabs
NotesX
Harmony analysis
Cem Adrian – Yeniden (Şanışer): key and chord analysis
The song opens on Cm and ends on Ab. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 10 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 10× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 10× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 10× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 10× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 2 different chords appear 20 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Ab Cm EbIV → vi CmVI → iVI → i ×9
The move to watch is Ab → Cm, heard 9 times. From the Cm side it is VI → i (VI → i: falls a half step into home); from the Eb side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The opening Cm lays a solid floor for everything that follows. The chords that keep coming back are Cm, Ab; read them as vi–IV in Eb or i–VI in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Cm (IV → vi in Eb, VI → i in Cm): VI → i — falls a half step into home. Ending on Ab, the song seals Eb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Cem Adrian - Yeniden (Şanışer) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Cem Adrian
Şanışer (Sarp Palaur)Music: Cem Adrian
Şanışer (Sarp Palaur)Arrangement: Cem Adrian
Şanışer (Sarp Palaur)Music: Cem Adrian
Şanışer (Sarp Palaur)Arrangement: Cem Adrian
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