Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Kendimden Hallice - Soğuk Şarap - Chord
Key F major – D minor Chords Bbmaj7, Am7, Gm7, C, Dm, Bb Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Dm C Bbmaj7 C
Dm C
Soğukta içtiğim soğuk şarabı
Bbmaj7 C
Bu gece koynunda olmalıydık
Dm C
Hem suçlu hem suçsuz
Bbmaj7 C
Bozuk şarap gibi kanımda tadın
Dm C
Biz zaten çok sarhoşuz
Bbmaj7 C
Öleceğimiz kadar ölmüşüz
Dm C
Üzgünsündür ya da kahrolmuş
Bbmaj7 C
Üstünkörü ya da mahvolmuş
Bbmaj7 Am7 Gm7
Şehrime inmiş yine ay ışığım
Bbmaj7 Am7 Gm7
Acılar geçmez yalnızca alışırız
Bbmaj7 Am7 Gm7
Biraz soluk yanında baş ağrısı
Bbmaj7 Am7 Gm7
Yan yana olsak belki de başarırız
Dm Bb Am7 Gm7
Gide gele yollarda unutamam aslında
Dm Bb Am7 Gm7
Yine kadehimi doldursam soğuk şaraplaaaaa
Bbmaj7 Am7 Gm7
Şehrime inmiş yine ay ışığım
Bbmaj7 Am7 Gm7
Acılar geçmez yalnızca alışırız
Bbmaj7 Am7 Gm7
Biraz soluk yanında baş ağrısı
Bbmaj7 Am7 Gm7
Yan yana olsak belki de başarırız
Dm Bb Am7 Gm7
Gide gele yollarda unutamam aslında
Dm Bb Am7 Gm7
Yine kadehimi doldursam soğuk şaraplaaaaa
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Kendimden Hallice - Soğuk Şarap Tabs
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Harmony analysis
Kendimden Hallice – Soğuk Şarap: key and chord analysis
The song opens on Dm and ends on Gm7. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it opens on Dm and Dm is heard 9 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii7 | Gm7 | Supertonic — prepares the dominant | G · Bb · D · F | 12× |
| iii7 | Am7 | Mediant — a tonic-family shade | A · C · E · G | 12× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IVmaj7 | Bbmaj7 | Subdominant — moves away from home | Bb · D · F · A | 13× |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 4× |
| V | C | Dominant — strongest pull home | C · E · G | 10× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 9× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 9× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv7 | Gm7 | Subdominant — moves away from home | G · Bb · D · F | 12× |
| v7 | Am7 | Minor dominant — soft pull | A · C · E · G | 12× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VImaj7 | Bbmaj7 | Submediant — warm colour | Bb · D · F · A | 13× |
| VI | Bb | Submediant — warm colour | Bb · D · F | 4× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 10× |
Analysis
The key pair is F major and its relative D minor (1 flat). 6 different chords appear 60 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bbmaj7 C FIVmaj7 → VIV → V DmVImaj7 → VIIVI → VII ×5
- C Dm FV → videceptive cadence DmVII → iAeolian arrival ×4
- Gm7 Dm Fii7 → vi Dmiv7 → iminor plagal ×4
The move to watch is Bbmaj7 → C, heard 5 times. From the Dm side it is VImaj7 → VII (VI → VII: the rising step that heads for the tonic); from the F side it reads IVmaj7 → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Bbmaj7, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
The opening Dm lays a solid floor for everything that follows. The chords that keep coming back are Bbmaj7, Am7, Gm7, C; read them as IVmaj7–iii7–ii7–V in F or VImaj7–v7–iv7–VII in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbmaj7 → C (IVmaj7 → V in F, VImaj7 → VII in Dm): VI → VII — the rising step that heads for the tonic. Ending on Gm7, the song seals F as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Kendimden Hallice - Soğuk Şarap Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ozan Özalp
Barış KocatürkMusic: Ozan ÖzalpArrangement: Samet Türksal
Barış KocatürkMusic: Ozan ÖzalpArrangement: Samet Türksal
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