Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Key Eb major – C minor Chords Gm, Ab, Cm Easy key C (capo 3)
Gm Ab Ab Gm
Gm Ab
Düşünüp dururum evde kendi kendime
Gm
Sanki başka işi yok hayatın benle derdi ne
Ab
Sövücem artık harbi her bi ferdine
Gm
Her kafada aynı ses hayatın benle derdi ne
Cm
Benle derdi ne, düştüm en dibe
Gm
Tutmayan dilekleri usanmadan dile
Cm
Abart biraz bu yaz ve yaz bi kağıt mendile
Gm
Farklı hazlar al biraz ve kozu dağıt kendine
Aşağıda aynı akorlar aynı ezgi ile devam eder,
Gm Ab Ab Gm
Oh shit bu nasıl iş
Yumurta kıça geliyo yetiş
Seni satıyolar aha buda fiş
Sokakta yürüyebilen afiş
Piş piş piş piş ağzıma düş
Benim ağzıma düşemeden aç paraşüt
Nasip işi koçum hadi hadi al abaküs say
Bir iki bir iki yok şansına küs (ov)
Gm Ab Ab Gm
İleri doğru hedefe koş
Önüne çıkamaz hepsi low
İkile de ona belli ne olduğu
Sen kendinden emin ol
Çok çalıştı elin oğlu
Sense evde eskimo
Kes traşı resmin orda
Çok konuşma teslim ol yada olma
Gm Ab Ab Gm
Canım ister torun torba
Torun iptal sadece torba
Şaka şaka olmaz olmaz
Kafama dank etti indi
Silivride soğuktur şimdi
Her baskıya rağmen dimdik
Bizim ateşimiz soğumaz yo
Gm Ab
Düşünüp dururum evde kendi kendime
Gm
Sanki başka işi yok hayatın benle derdi ne
Ab
Sövücem artık harbi her bi ferdine
Gm
Her kafada aynı ses hayatın benle derdi ne
Gm Ab
Aynı boktan her gün olsa
Gm
Bir günde benim gözüm doysa
Ab
Kalamam ben beladan noksan
Gm
Yaşıyoz ama karaborsa
Gm Ab
Param olsa herşey tamam olsa
Gm
Hayat olsa umutlarım olsa
Ab
Gece olsam yıldızlarım olsa
Gm
Yeniden doğsam
Gm Ab
Yolun sonu belli değil
Sen kalırsın ben giderim
Gm
Bak kapandı perdelerim ah
Gm Ab
Bu çilelerim dengim değil
Belli etmez rengini
Gm
Herkes sever zengini
Gm Ab Ab Gm
Tabi kim demiş buna dur, ben derim
Şansı yok ki sen vur düşenede
Dostun hakkında kur
Kura kura oldun harbi davul
Hakkımı yiyen oldu basur
Savaşırım oğlum ben, veren sur sizsiniz aynı emekli bağkur
Ülkemin sokakları parkur geçemezsin
Zevkinden vazgeçemezsin
Yaşadığın hayatı sen seçemezsin
Kaypaklığı farkedemezsen
İstanbul’u hiç seyredemezsin
Sevdiğinle evlenemezsin
Kendi başına çıkıp eğlenemezsin
Senle aynı kanı taşımıyorsam bana çıkıpta öylece emredemezsin
Gm Ab
Düşünüp dururum evde kendi kendime
Gm
Sanki başka işi yok hayatın benle derdi ne
Ab
Sövücem artık harbi her bi ferdine
Gm
Her kafada aynı ses hayatın benle derdi ne
End of song Play again?
Harmony analysis
The song opens on Gm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because Cm is heard 2 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 31× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 22× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 2× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 2× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 31× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 22× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 55 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Gm → Cm, heard 2 times. From the Cm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Eb side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
Starting on Gm, the song gives away its key from the very first bar. Gm, Ab, Cm carry the song: iii–IV–vi relative to Eb, v–VI–i relative to Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gm → Cm (iii → vi in Eb, v → i in Cm): natural-minor cadence — gentle, modal arrival. The final chord is Gm; the ear comes to rest in Eb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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