Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Ayten Alpman - Ben Böyleyim - Chord
Key Ab major – F minor Chords Fm, Bbm, Eb, Db, Ab, C, Cm, F … Easy key C
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Key: Ab | Fm
Capo: 0
Fm Bbm
Üzgünüm acı sözlerim için
Eb Ab
Üzgünüm seni kırdığım için
Db Bbm
Haklısın bana darılsan bile
C
Beni terketsen bile
Fm
Ne yapayım ben böyleyim
Fm Bbm
Üzgünüm bütün olanlar için
Eb Ab
Üzgünüm mutlu yıllarım için
Db Bbm
Aşkımız şüphesiz olmalıydı
C
Lekesiz olmalıydı
Fm
Affedemem ben böyleyim
Db Eb Cm Fm
İster vur ister okşa, ister tut ister yolla
Bbm Eb Ab F
İster sev ister zorla, ben böyleyim
Db Eb Cm Fm
İster vur ister okşa, ister tut ister yolla
Bbm G C
İster sev ister zorla, ben böyleyim
End of song Play again?
Ayten Alpman - Ben Böyleyim Tabs
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Harmony analysis
Ayten Alpman – Ben Böyleyim: key and chord analysis
The song opens on Fm and ends on C. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
- #7 = E (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it opens on Fm, Fm is heard 6 times against 3 for Ab and the major V chord points straight at Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 3× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 6× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 2× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | 3× |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 4× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 5× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 6× |
| V/ii | F | Secondary dominant V/ii — leads to Bbmsecondary dominant | F · A · C | 1× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| V/iii | G | Secondary dominant V/iii — leads to Cmsecondary dominant | G · B · D | 1× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 6× |
| V/iv | F | Secondary dominant V/iv — leads to Bbmsecondary dominant | F · A · C | 1× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| V/v | G | Secondary dominant V/v — leads to Cmsecondary dominant | G · B · D | 1× |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 3× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 6× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 2× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | 3× |
| VI | Db | Submediant — warm colour | Db · F · Ab | 4× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 5× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 9 different chords appear 31 times in total; 6 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Ab, the same C is V/vi, a secondary dominant heading for Fm. F, G act as secondary dominants, briefly pointing at another chord of the key.
Chord movement
- Eb Ab AbV → Iauthentic cadence FmVII → III ×3
- Bbm Eb Abii → Vii → V Fmiv → VII ×3
- C Fm AbV/vi → vi FmV → iharmonic-minor cadence ×2
- Bbm C Abii → V/vi Fmiv → Viv → V ×2
- Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×2
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×2
The move to watch is Eb → Ab, heard 3 times. From the Fm side it is VII → III; from the Ab side it reads V → I (authentic cadence: the strongest arrival home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- When C comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The first chord is Fm; the ear learns where home is within a second. Fm, Bbm, Eb, Db carry the song: vi–ii–V–IV relative to Ab, i–iv–VII–VI relative to Fm. C is the interesting twist: in Ab it is a chromatic chord (V/vi), while in Fm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Eb → Ab (V → I in Ab, VII → III in Fm): authentic cadence — the strongest arrival home. The final chord is C; the ear comes to rest in Ab.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ayten Alpman - Ben Böyleyim Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ümit AksuMusic: Armando Manzanero
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