Sinan Akçıl - Teşekkürler Sevgilim (İzel) - Chord

Key G major – E minor Chords C, Am, Bm, Em, D Difficulty already in its easiest key

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Capo 0

Em  Bm  D  C  Am  C  Am  Bm

Bm       C       Am   Bm          C            Em
Tertemiz bir aşk düşlesene, sevgi dolu her saniye
C           Am         C        Am    C     Bm
Koydum seni ev yerine, bir tebessümle bak yüzüme
Bm      C      Am      Bm            C       Em
Bizde öyle bir sevda var ki, hep çok güçlü hep en önde
C        Am             C      Am       C     Bm
Sonumuzu hiç dert etme, kapat gözlerini öyle dinle

Em         Bm         D             C
Seni mutlu etmeliyim, tekrar tekrar sevmeliyim
Am             C           Am             C       Bm
Verdik bir söz dönmeyelim, bir tebessümle bak yüzüme

Em  Bm  D  C  Am  C  Am  Bm

Bm             C   Am   Bm               C       Em
Sen de bir kaç şey söylesene, sevgi dolu cümlelerle
C           Am          C      Am        C        Bm
Mutluluktan ölsek bile, benden uzun yaşa hiç terk etme
Bm        C    Am      Bm        C       Em
Bizde öyle bir dünya var ki, iki kişi yeter bize
C         Am             C        Am     C      Bm
Üzüldüğün her an lütfen, bir tebessümle bak yüzüme

Em         Bm         D             C
Seni mutlu etmeliyim, tekrar tekrar sevmeliyim
Am             C           Am             C       Bm
Verdik bir söz dönmeyelim, bir tebessümle bak yüzüme

Em  Bm  D  C  Am  C  Am  Bm
 
D            C              Am       C       Am       Bm
Kalbini bana verdiğin için, binlerce teşekkürler sevgilim

End of song Play again?

Sinan Akçıl - Teşekkürler Sevgilim (İzel) Tabs

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Harmony analysis

Sinan Akçıl – Teşekkürler Sevgilim (İzel): key and chord analysis

The song opens on Em and ends on Bm. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F# (leading tone, pulls home)
4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = C (the minor's melancholy)
b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the E minor side because it opens on Em and Em is heard 9 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree	Chord	Role	Notes	In song
I	G	Tonic — home	G · B · D	—
ii	Am	Supertonic — prepares the dominant	A · C · E	24×
iii	Bm	Mediant — a tonic-family shade	B · D · F#	23×
V/vi	B	Secondary dominant V/vi — leads to Emsecondary dominant	B · D# · F#	—
IV	C	Subdominant — moves away from home	C · E · G	34×
V	D	Dominant — strongest pull home	D · F# · A	6×
vi	Em	Relative minor — the melancholy side	E · G · B	9×
vii°	F#dim	Leading-tone chord — tension	F# · A · C	—

Seen from E minor
Degree	Chord	Role	Notes	In song
i	Em	Tonic — home	E · G · B	9×
ii°	F#dim	Supertonic — prepares the dominant	F# · A · C	—
III	G	Relative major — the bright side	G · B · D	—
iv	Am	Subdominant — moves away from home	A · C · E	24×
v	Bm	Minor dominant — soft pull	B · D · F#	23×
V	B	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	B · D# · F#	—
VI	C	Submediant — warm colour	C · E · G	34×
VII	D	Subtonic — steps back to the tonic	D · F# · A	6×

Analysis

The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 96 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

C Em GIV → vi EmVI → iVI → i ×4
Bm Em Giii → vi Emv → inatural-minor cadence ×4

The move to watch is C → Em, heard 4 times. From the Em side it is VI → i (VI → i: falls a half step into home); from the G side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With G major shapes

No capo — open G shapes
Capo 3 + E shapes
Capo 5 + D shapes

With E minor shapes

No capo — open Em shapes
Capo 2 + Dm shapes
Capo 7 + Am shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The opening Em lays a solid floor for everything that follows. The backbone is C, Am, Bm, Em — IV–ii–iii–vi from the G side, VI–iv–v–i from the Em side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → Em (IV → vi in G, VI → i in Em): VI → i — falls a half step into home. Ending on Bm, the song seals G as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.