Can Kazaz - Ben Giderim - Chord

Key F major – D minor Chords C, Dm, Bb, F, A, Am Easy key C (capo 5)

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Capo 0

      Dm           C        Bb
Madem hiçbir savaş kazanılmaz
Dm            C       Bb
Benden size asker olmaz
Dm   C   Bb
Ben giderim
F               A
Yerim yurdum da bulunmaz

Dm                C      Bb
Sizden bir şey isteyen yok
Dm              C      Bb
Zaten sizin karnınız tok
Dm   C   Bb
Ben giderim
F               A
Yerim yurdum da bulunmaz

F     C     Dm
Uuuuh uuuuh uuuh
F     Am    A
Uuuuh uuuuh uuuh
F     C     Dm
Uuuuh uuuuh uuuh
F     Am    A
Uuuuh uuuuh uuuh

Dm            C     Bb
Doğum günü tebrikleri
Dm    F     C     Bb
Yalandan sarılmalar
Dm  C      Bb
Ben sevmezdim
F             A 
Sebeplerim anlaşılmaz

Dm        C          Bb
Sevdiğim bir kadın var
Dm           C      Bb
O da zaten çok uzakta
Dm  C      Bb
Ben sevmezdim
F             A
Sebeplerim anlatılmaz

Bb           C
Nasıl yaşar insan
   F     C     Dm
Bu kadar sahte bir yerde
Bb           C
Nasıl bulur insan
F     Bb      A
Huzur denen şeyi

F     C     Dm
Uuuuh uuuuh uuuh
F     Am    A
Uuuuh uuuuh uuuh
F     C     Dm
Uuuuh uuuuh uuuh
F     Am    A
Uuuuh uuuuh uuuh

Dm        C     Bb
Böyle bir yaşantıda
Dm       C       Bb
Özgürlük bir yalandır
Dm  C    Bb
Ben giderim
F               A
Yerim yurdum da bulunmaz

Dm          C        Bb
Söylenen her şey yalan
Dm       C        Bb
Şarkılar bile yalan
Dm  C    Bb
Ben giderim
F               A
Yerim yurdum da bulunmaz

End of song Play again?

Can Kazaz - Ben Giderim Tabs

NotesX

Harmony analysis

Can Kazaz – Ben Giderim: key and chord analysis

The song opens on Dm and ends on A. Its chords belong to both F major and Dm, so every chord below is read both ways.

Major view

F major

Brightness rank 2/7 (bright)

Characteristic notes

7 = E (leading tone, pulls home)
4 = Bb (the note that leans on the 3rd)

Minor view

D minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Bb (the minor's melancholy)
b7 = C (natural-minor colour)
#7 = C# (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the D minor side because it opens on Dm, Dm is heard 23 times against 17 for F and the major V chord points straight at Dm. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from F major
Degree	Chord	Role	Notes	In song
I	F	Tonic — home	F · A · C	17×
ii	Gm	Supertonic — prepares the dominant	G · Bb · D	—
iii	Am	Mediant — a tonic-family shade	A · C · E	4×
V/vi	A	Secondary dominant V/vi — leads to Dmsecondary dominant	A · C# · E	11×
IV	Bb	Subdominant — moves away from home	Bb · D · F	21×
V	C	Dominant — strongest pull home	C · E · G	25×
vi	Dm	Relative minor — the melancholy side	D · F · A	23×
vii°	Edim	Leading-tone chord — tension	E · G · Bb	—

Seen from D minor
Degree	Chord	Role	Notes	In song
i	Dm	Tonic — home	D · F · A	23×
ii°	Edim	Supertonic — prepares the dominant	E · G · Bb	—
III	F	Relative major — the bright side	F · A · C	17×
iv	Gm	Subdominant — moves away from home	G · Bb · D	—
v	Am	Minor dominant — soft pull	A · C · E	4×
V	A	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	A · C# · E	11×
VI	Bb	Submediant — warm colour	Bb · D · F	21×
VII	C	Subtonic — steps back to the tonic	C · E · G	25×

Analysis

The key pair is F major and its relative D minor (1 flat). 6 different chords appear 101 times in total; 5 of them sit naturally inside the shared scale. The major V of Dm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from F, the same A is V/vi, a secondary dominant heading for Dm.

Chord movement

Bb Dm FIV → vi DmVI → iVI → i ×12
Bb F FIV → Iplagal cadence DmVI → III ×6
A Dm FV/vi → vi DmV → iharmonic-minor cadence ×5
C Dm FV → videceptive cadence DmVII → iAeolian arrival ×5
C F FV → Iauthentic cadence DmVII → III ×2
Bb C FIV → VIV → V DmVI → VIIVI → VII ×2

The move to watch is Bb → Dm, heard 12 times. From the Dm side it is VI → i (VI → i: falls a half step into home); from the F side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
When A comes, swap the scale's C for C#: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With F major shapes

Capo 1 + E shapes
Capo 3 + D shapes
Capo 5 + C shapes

With D minor shapes

No capo — open Dm shapes
Capo 5 + Am shapes

Easiest keys on guitar

5 semitones down · capo 5 keeps the original pitch
2 semitones up

The song's harmonic story

The first chord is Dm; the ear learns where home is within a second. The chords that keep coming back are C, Dm, Bb, F; read them as V–vi–IV–I in F or VII–i–VI–III in Dm. A is the interesting twist: in F it is a chromatic chord (V/vi), while in Dm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Bb → Dm (IV → vi in F, VI → i in Dm): VI → i — falls a half step into home. The final chord is A; the ear comes to rest in F.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.