Simge - Gel Deneyelim Yeniden - Chord

Key Ab major – F minor Chords Bbm, Cm, Fm, Db, Ab, Eb Easy key C

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Capo 0

Cm  Bbm        Cm   Bbm        Fm        Bbm       Cm
Sus yeter söyleme terkedip gitsen bile bilmek istemem
Cm  Bbm           Cm   Bbm        Fm     Bbm        Cm
Sus sus bir tanem sus yalvarırım konuşma artık söyleme
  
Bbm   Db              Cm
Garip oldu yüreğim gidince
Ab            Fm      Bbm      Cm  Bbm
Tutkumdun benim delice, bir tanem ah
Bbm      Db             
Ne çok hasret saklıymış bir günde
Ab               Fm     Bbm    Cm   Bbm    Cm
Aklım takılmış sevgine, yüreğine anladım şimdi
   
Fm  Bbm          Cm
Gel deneyelim yeniden
Fm         Bbm         Cm   Eb  Fm
Boşverelim geçmişi, eskiyi ah
  
Bbm       Cm
Sevgimiz yeter

End of song Play again?

Simge - Gel Deneyelim Yeniden Tabs

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Harmony analysis

Simge – Gel Deneyelim Yeniden: key and chord analysis

The song opens on Cm and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because Fm is heard 7 times against 2 for Ab. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	2×
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	15×
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	13×
V/vi	C	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	2×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	1×
vi	Fm	Relative minor — the melancholy side	F · Ab · C	7×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	7×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	2×
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	15×
v	Cm	Minor dominant — soft pull	C · Eb · G	13×
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	2×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	1×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 6 different chords appear 40 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Bbm Fm Abii → vi Fmiv → iminor plagal ×2
Cm Fm Abiii → vi Fmv → inatural-minor cadence ×2
Db Ab AbIV → Iplagal cadence FmVI → III ×1
Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×1

The move to watch is Bbm → Fm, heard 2 times. From the Fm side it is iv → i (minor plagal: deep and melancholic); from the Ab side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

4 semitones up
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

The opening Cm lays a solid floor for everything that follows. Bbm, Cm, Fm, Db carry the song: ii–iii–vi–IV relative to Ab, iv–v–i–VI relative to Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbm → Fm (ii → vi in Ab, iv → i in Fm): minor plagal — deep and melancholic. Ending on Cm, the song seals Ab as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.