Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Doğa İçin Çal - Uzun İnce Bir Yoldayım - Chord
Key F major – D minor Chords Dm, C, G, F, Gm Easy key G
No ratings yet
or your user informations
Make it yours
Text size
Key: F | Dm
Capo: 0
Dm G C Dm Dm G C Dm Uzun ince bir yoldayım Dm G C Dm Dm G C Dm Gidiyorum gündüz gece C G F Gm Bilmiyorum ne haldeyim, gidiyorum gündüz gece F C Dm C Dm Gündüz gece, gündüz gece gündüz gece hey Dm G C Dm Dm G C Dm Dünyaya geldiğim anda Dm Gm C Dm Dm G C Dm Yürüdüm aynı zamanda C G F Gm İki kapılı bir handa, gidiyorum gündüz gece F C Dm C Dm Gündüz gece, gündüz gece gündüz gece hey Dm G C Dm Dm G C Dm Uykuda dahi yürüyom Dm Gm C Dm Dm G C Dm Ağmaya sebep arıyom C G F Gm Gidenleri hep görüyom gidiyorum gündüz gece F C Dm C Dm Gündüz gece, gündüz gece gündüz gece hey Dm G C Dm Dm G C Dm Kırk dokuz yıl bu yollarda Dm G C Dm Dm G C Dm Ova da dağda çöllerde C G F Gm Düşmüşem gurbet ellerde gidiyorum gündüz gece F C Dm C Dm Gündüz gece, gündüz gece gündüz gece hey Dm G C Dm Dm G C Dm Düşünülürse derince Dm G C Dm Dm G C Dm Irak görünür görünce C G F Gm Yol bir dakka miktarınca gidiyorum gündüz gece F C Dm C Dm Gündüz gece, gündüz gece gündüz gece hey Dm G C Dm Dm G C Dm Şaşar Veysel iş bu hala Dm G C Dm Dm G C Dm Kah ağlayan Kahi güle C G F Gm Yetişmek için menzile gidiyorum gündüz gece F C Dm C Dm Gündüz gece, gündüz gece gündüz gece hey
End of song Play again?
Doğa İçin Çal - Uzun İnce Bir Yoldayım Tabs
NotesX
Harmony analysis
Doğa İçin Çal – Uzun İnce Bir Yoldayım: key and chord analysis
The song opens on Dm and ends on Dm. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it both starts and finishes on Dm and Dm is heard 60 times against 12 for F. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | 12× |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 8× |
| V/V | G | Secondary dominant V/V — leads to Csecondary dominant | G · B · D | 28× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | — |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | — |
| V | C | Dominant — strongest pull home | C · E · G | 42× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 60× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 60× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | 12× |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 8× |
| IV | G | Major IV — Dorian / melodic-minor colourmodal colour | G · B · D | 28× |
| v | Am | Minor dominant — soft pull | A · C · E | — |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | — |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 42× |
Analysis
The key pair is F major and its relative D minor (1 flat). 5 different chords appear 150 times in total; 4 of them sit naturally inside the shared scale. G acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- C Dm FV → videceptive cadence DmVII → iAeolian arrival ×36
- Gm C Fii → Vii → V Dmiv → VII ×2
The move to watch is C → Dm, heard 36 times. From the Dm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the F side it reads V → vi (deceptive cadence: expected F, lands on Dm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 2 semitones up
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
Starting on Dm, the song gives away its key from the very first bar. Dm, C, G, F carry the song: vi–V–V/V–I relative to F, i–VII–IV–III relative to Dm. G adds a moment of surprise: secondary dominant V/V — leads to C. Keep an ear on C → Dm (V → vi in F, VII → i in Dm): Aeolian arrival — rises a whole tone into home. It closes on Dm, letting the Dm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Doğa İçin Çal - Uzun İnce Bir Yoldayım Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Repertoires with this song
Similar songs, ready to play: pick a list.
Lyrics: Aşık VeyselMusic: Aşık Veysel
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.