Can Bonomo - Kal Bugün - Chord

Key C major – A minor Chords Am, Dm, E, G, C, F Difficulty already in its easiest key

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Capo 0

Am                       Dm
Bir kuş uçar pencereden haber verir ey
                            Am
Ben yanarım bu dağlar bana dar gelir ey
                           Dm
Kal evim ol çil çil olsun taşların
                            Am
Ellerin yastık yorgan sarı saçların

Am         G
Kal gitme fikrim sende
C                  G
Sen bir başkasını sevsen de
E                         Am
Var gitme ölürüm o zaman ben
E                         Am
Yar gitme ölürüm o zaman ben

Am        Dm
Kal bugün canım ağrıyor
Am          Dm
Ellerim tenini arıyor
Am            G
Saçlarım tel tel ağrıyor
E                         Am
Ölürüm ah ölürüm o zaman ben

Am         Dm
Dur bugün ruhum eğik bak
Am           Dm
Yorgunum zormuş unutmak
Am            G
Her gün aynı dileği tutmak
E                         Am
Ölürüm ah ölürüm o zaman ben
E                         Am
Ölürüm ah ölürüm o zaman ben

Am                     Dm
Yol beni al yarime ver gel bana ey
                          Am
Yol canım ol yoldaşım ol gül bana ey
                         Dm
Bir gülü al doğur elime ciğerlerime
                          Am
Ben yandım selamet olsun diğerlerine

Am                      Dm
Tutmayın tutmayın beni dağlar
E                        Am
Benim sizden uzun şiirlerim var
Am                      E
Yutmayın unutmayın beni bağlar
F                      E
Benim sizden büyük aşklarım var

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Can Bonomo - Kal Bugün Tabs

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Harmony analysis

Can Bonomo – Kal Bugün: key and chord analysis

The song opens on Am and ends on E. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)
#7 = G# (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the A minor side because it opens on Am, Am is heard 21 times against 1 for C and the major V chord points straight at Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	1×
ii	Dm	Supertonic — prepares the dominant	D · F · A	9×
iii	Em	Mediant — a tonic-family shade	E · G · B	—
V/vi	E	Secondary dominant V/vi — leads to Amsecondary dominant	E · G# · B	8×
IV	F	Subdominant — moves away from home	F · A · C	1×
V	G	Dominant — strongest pull home	G · B · D	4×
vi	Am	Relative minor — the melancholy side	A · C · E	21×
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i	Am	Tonic — home	A · C · E	21×
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
III	C	Relative major — the bright side	C · E · G	1×
iv	Dm	Subdominant — moves away from home	D · F · A	9×
v	Em	Minor dominant — soft pull	E · G · B	—
V	E	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B	8×
VI	F	Submediant — warm colour	F · A · C	1×
VII	G	Subtonic — steps back to the tonic	G · B · D	4×

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 6 different chords appear 44 times in total; 5 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from C, the same E is V/vi, a secondary dominant heading for Am.

Chord movement

Dm Am Cii → vi Amiv → iminor plagal ×8
E Am CV/vi → vi AmV → iharmonic-minor cadence ×6
G C CV → Iauthentic cadence AmVII → III ×1
Dm E Cii → V/vi Amiv → Viv → V ×1

The move to watch is Dm → Am, heard 8 times. From the Am side it is iv → i (minor plagal: deep and melancholic); from the C side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
When E comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

Starting on Am, the song gives away its key from the very first bar. Am, Dm, E, G carry the song: vi–ii–V/vi–V relative to C, i–iv–V–VII relative to Am. E is the interesting twist: in C it is a chromatic chord (V/vi), while in Am it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Dm → Am (ii → vi in C, iv → i in Am): minor plagal — deep and melancholic. The final chord is E; the ear comes to rest in C.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.