Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Gripin - Nasılım Biliyor Musun - Chord
Key C major – A minor Chords Am, Dm, F, Em, B, E Difficulty already in its easiest key
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Key: C | Am
Capo: 0
Am
Nasılım biliyor musun?
Am
Kafam karışık
Dm
Kaçırmışım hayatı
Am
Meçhule yolculuk
Am
Nasılım biliyor musun?
Am
Bildiğin gibi
Dm
Bir ümit başlıyor her günüm
Am
Bitmiyor geceler
F
Bugünlere söve söve
Em
Belki seni seve seve
F Em
Bazen de öpsem geçer dediğim
Am B E
Bir yara gibiyim
Am
Nasılım biliyor musun?
Dm
Sokaklarıma ateş düşmüş
F
Söndürmeye yeter mi ki
Am
Göz yaşlarım
Am
Nasılım biliyor musun?
Dm
Şakaklarıma aşklar düşmüş
F Em
İçimde bir çocuk çığlık çığlığa
Am
Duymuyor musun?
Em Am
Titriyor ellerim tutmuyor musun?
End of song Play again?
Gripin - Nasılım Biliyor Musun Tabs
NotesX
Harmony analysis
Gripin – Nasılım Biliyor Musun: key and chord analysis
The song opens on Am and ends on Am. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
- #7 = G# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it both starts and finishes on Am, Am is heard 12 times while C never appears and the major V chord points straight at Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 4× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | 4× |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | 1× |
| IV | F | Subdominant — moves away from home | F · A · C | 4× |
| V | G | Dominant — strongest pull home | G · B · D | — |
| vi | Am | Relative minor — the melancholy side | A · C · E | 12× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| V/iii | B | Secondary dominant V/iii — leads to Emsecondary dominant | B · D# · F# | 1× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 12× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| V/v | B | Secondary dominant V/v — leads to Emsecondary dominant | B · D# · F# | 1× |
| III | C | Relative major — the bright side | C · E · G | — |
| iv | Dm | Subdominant — moves away from home | D · F · A | 4× |
| v | Em | Minor dominant — soft pull | E · G · B | 4× |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | 1× |
| VI | F | Submediant — warm colour | F · A · C | 4× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | — |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 6 different chords appear 26 times in total; 4 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from C, the same E is V/vi, a secondary dominant heading for Am. B acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Em Am Ciii → vi Amv → inatural-minor cadence ×3
- Dm Am Cii → vi Amiv → iminor plagal ×2
- E Am CV/vi → vi AmV → iharmonic-minor cadence ×1
- F Am CIV → vi AmVI → iVI → i ×1
The move to watch is Em → Am, heard 3 times. From the Am side it is v → i (natural-minor cadence: gentle, modal arrival); from the C side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- When E comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
Starting on Am, the song gives away its key from the very first bar. The backbone is Am, Dm, F, Em — vi–ii–IV–iii from the C side, i–iv–VI–v from the Am side. B is the interesting twist: in C it is a chromatic chord (V/iii), while in Am it becomes the dominant (V/v) that makes the minor side sound so determined. Keep an ear on Em → Am (iii → vi in C, v → i in Am): natural-minor cadence — gentle, modal arrival. It closes on Am, letting the Am side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Gripin - Nasılım Biliyor Musun Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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