Pınar Dilşeker - Şinanari - Chord

Key Gb major – Eb minor Chords Db, Bbm, B, Abm, Ebm, Ab, Gb Easy key G

Add to Repertoire

No ratings yet

or your user informations

Capo 0

Db   Abm   Abm   Bbm 

Bbm             Ebm
Çölün ortasından gülleri alın
B                        Db      B
Kurumuş toprakta canım durmasın boşa

Ebm     Ab   Db     Gb
Kötüler alemi almış gidiyor 
B                       Abm     Bbm
İyiler kendini canım yormasın boşa
Ebm     Ab    Db     Gb
Çirkinler alemi almış gidiyor
B                        Abm     Bbm
Güzeller kendini canım yormasın boşa
 
Db                               Abm
Şinanari nari nay nari nay nini nay

Şinanari nay narinari nay 
                           Bbm
Şinanari nari nay nari nay nini nay 

Bbm              Ebm
Söndürün şulesiz isli feneri
B                         Db      B
Denizin ortasında canım yanmasın boşa

End of song Play again?

Pınar Dilşeker - Şinanari Tabs

NotesX

Harmony analysis

Pınar Dilşeker – Şinanari: key and chord analysis

The song opens on Db and ends on B. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.

Major view

Gb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F (leading tone, pulls home)
4 = Cb (the note that leans on the 3rd)

Minor view

Eb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Cb (the minor's melancholy)
b7 = Db (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Eb minor side because Ebm is heard 4 times against 2 for Gb. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Gb major
Degree	Chord	Role	Notes	In song
I	Gb	Tonic — home	Gb · Bb · Db	2×
ii	Abm	Supertonic — prepares the dominant	Ab · Cb · Eb	5×
V/V	Ab	Secondary dominant V/V — leads to Dbsecondary dominant	Ab · C · Eb	2×
iii	Bbm	Mediant — a tonic-family shade	Bb · Db · F	6×
V/vi	Bb	Secondary dominant V/vi — leads to Ebmsecondary dominant	Bb · D · F	—
IV	B	Subdominant — moves away from home	B · D# · F#	6×
V	Db	Dominant — strongest pull home	Db · F · Ab	6×
vi	Ebm	Relative minor — the melancholy side	Eb · Gb · Bb	4×
vii°	Fdim	Leading-tone chord — tension	F · Ab · Cb	—

Seen from Eb minor
Degree	Chord	Role	Notes	In song
i	Ebm	Tonic — home	Eb · Gb · Bb	4×
ii°	Fdim	Supertonic — prepares the dominant	F · Ab · Cb	—
III	Gb	Relative major — the bright side	Gb · Bb · Db	2×
iv	Abm	Subdominant — moves away from home	Ab · Cb · Eb	5×
IV	Ab	Major IV — Dorian / melodic-minor colourmodal colour	Ab · C · Eb	2×
v	Bbm	Minor dominant — soft pull	Bb · Db · F	6×
V	Bb	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	Bb · D · F	—
VI	B	Submediant — warm colour	B · D# · F#	6×
VII	Db	Subtonic — steps back to the tonic	Db · F · Ab	6×

Analysis

The key pair is Gb major and its relative Eb minor (6 flats). 7 different chords appear 31 times in total; 6 of them sit naturally inside the shared scale. Ab acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

Bbm Ebm Gbiii → vi Ebmv → inatural-minor cadence ×3
Db Gb GbV → Iauthentic cadence EbmVII → III ×2
B Db GbIV → VIV → V EbmVI → VIIVI → VII ×2
B Ebm GbIV → vi EbmVI → iVI → i ×1

The move to watch is Bbm → Ebm, heard 3 times. From the Ebm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Gb side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Gb major shapes

Capo 2 + E shapes
Capo 4 + D shapes
Capo 6 + C shapes

With Eb minor shapes

Capo 1 + Dm shapes
Capo 6 + Am shapes

Easiest keys on guitar

1 semitone up
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The first chord is Db; the ear learns where home is within a second. Db, Bbm, B, Abm carry the song: V–iii–IV–ii relative to Gb, VII–v–VI–iv relative to Ebm. Ab adds a moment of surprise: secondary dominant V/V — leads to Db. Keep an ear on Bbm → Ebm (iii → vi in Gb, v → i in Ebm): natural-minor cadence — gentle, modal arrival. Ending on B, the song seals Gb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Pınar Dilşeker - Şinanari Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

Find something to play next

Ready-made lists by difficulty and mood.

Report error for this content report.

All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.

🎤 Pınar Dilşeker Chords

🎲 Random Chords in the Key of Gb

View All →