Akis - Çöz Beni - Chord

Key C major – A minor Chords G, F, Am, E, C, Ab Easy key G (capo 5)

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Capo 0

Am           G       F      G      C      Am
Seni tanıdıktan sonra ki ilk yağmurum bugün
           G          F     G     C       Am
Sanki biraz dertli gibi yağıyor içime hüzün
          G          F    G     C         Am
Bırakmıyor artık peşimi yarım kalan rüyalar
          G           F    E           Am
Bu şekilde yaşamak seni çıldırtıyor beni
          G           F    G   C      Am
Bu şekilde yaşamak seni delirtiyor beni
          G           F
Bu şekilde yaşamak seni

Am             F   G           E          Am
Bekledim beklerim asıl önemli olan bu değil
      F            G  E                 Am
Söyledim hep söylerim sıkıntı bu da değil
       F             G         E                   Am
Zor değil çok zor değil aslında hiçbir şey zor değil
      F          G           E               F  G  Ab
Ölmedim bak ölmedim artık öldür ya da çöz beni

Am  G   F   G

Am           G       F      G      C      Am
Seni tanıdıktan sonra ki ilk yağmurum bugün
           G            F    G      C     Am
Sanki tek gün varmış gibi gelip geçiyor ömür
         G        F    G        C     Am
Söyle artık o evrene rahat bıraksın bizi
          G           F
Bu şekilde yaşamak seni

Am             F   G           E          Am
Bekledim beklerim asıl önemli olan bu değil
      F            G  E                 Am
Söyledim hep söylerim sıkıntı bu da değil
       F             G         E                   Am
Zor değil çok zor değil aslında hiçbir şey zor değil
     F           G           E               F
Ölmedim bak ölmedim artık öldür ya da çöz beni

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Akis - Çöz Beni Tabs

NotesX

Harmony analysis

Akis – Çöz Beni: key and chord analysis

The song opens on Am and ends on F. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)
#7 = G# (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the A minor side because it opens on Am, Am is heard 19 times against 7 for C and the major V chord points straight at Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	7×
ii	Dm	Supertonic — prepares the dominant	D · F · A	—
iii	Em	Mediant — a tonic-family shade	E · G · B	—
V/vi	E	Secondary dominant V/vi — leads to Amsecondary dominant	E · G# · B	9×
IV	F	Subdominant — moves away from home	F · A · C	21×
V	G	Dominant — strongest pull home	G · B · D	28×
bVI	Ab	Borrowed from the parallel minorborrowed chord	Ab · C · Eb	1×
vi	Am	Relative minor — the melancholy side	A · C · E	19×
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i	Am	Tonic — home	A · C · E	19×
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
III	C	Relative major — the bright side	C · E · G	7×
iv	Dm	Subdominant — moves away from home	D · F · A	—
v	Em	Minor dominant — soft pull	E · G · B	—
V	E	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B	9×
VI	F	Submediant — warm colour	F · A · C	21×
VII	G	Subtonic — steps back to the tonic	G · B · D	28×
#VII	Ab	Chromatic colour chordoutside the key	Ab · C · Eb	1×

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 6 different chords appear 85 times in total; 4 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from C, the same E is V/vi, a secondary dominant heading for Am. Ab is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

F G CIV → VIV → V AmVI → VIIVI → VII ×17
G C CV → Iauthentic cadence AmVII → III ×7
E Am CV/vi → vi AmV → iharmonic-minor cadence ×7
F Am CIV → vi AmVI → iVI → i ×2
G Am CV → videceptive cadence AmVII → iAeolian arrival ×1

The move to watch is F → G, heard 17 times. From the Am side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the C side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
When E comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.
On Ab, follow the chord's notes (Ab · C · Eb) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

5 semitones down · capo 5 keeps the original pitch

The song's harmonic story

Starting on Am, the song gives away its key from the very first bar. G, F, Am, E carry the song: V–IV–vi–V/vi relative to C, VII–VI–i–V relative to Am. E is the interesting twist: in C it is a chromatic chord (V/vi), while in Am it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on F → G (IV → V in C, VI → VII in Am): VI → VII — the rising step that heads for the tonic. The final chord is F; the ear comes to rest in C.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Akis - Çöz Beni Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Ozan Önkal

Music: Akis

Arrangement: Akis

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