Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Anonim - Çayelinden Öteye - Chord
Key C major – A minor Chords Am, F, Dm, E, G# Difficulty already in its easiest key
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Key: C | Am
Capo: 0
Am F Dm E Am F Çayelinden öteye, gidelum yali yali Dm E Gidelum yali yali, gidelum yali Am F Sirtindaki sepetun, ben olayım hamali Dm E Ben olayım hamali, ben olayım ha Am F Dm E Am F Sepetunun ipleri, keseyi omuzuni Dm E Keseyi omuzuni, keseyi omu Am F Aç beyaz peştemali, bir göreyum yuzuni Dm E Bir göreyum yuzuni, bir göreyum yu Am F Dm E Am F Menşure deduklari, kıs sen misun sen misun Dm E Kıs sen misun sen misun, kıs sen misun sen Am G# Alemun dilindesun, o kadar güzelmisun Am G# Eydum finduk dalini, gel teşure teşure Am G# Aduni bilmeyirum, adun olun Menşure Am G# Funduk toplamak için, eydum funduk dalini Am G# Ben acirum acirum, Menşurenin halini Am G# Bize gölge edeyi, funduğun yapraklari Am F Kız sana haram olsun, Çayeli topraklari Dm E Çayeli topraklari, Çayeli toprak
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Anonim - Çayelinden Öteye Tabs
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Harmony analysis
Anonim – Çayelinden Öteye: key and chord analysis
The song opens on Am and ends on E. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
- #7 = G# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it opens on Am, Am is heard 15 times while C never appears and the major V chord points straight at Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 9× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | 9× |
| IV | F | Subdominant — moves away from home | F · A · C | 9× |
| V | G | Dominant — strongest pull home | G · B · D | — |
| bVI | G# | Borrowed from the parallel minorborrowed chord | G# · B# · D# | 6× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 15× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 15× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | — |
| iv | Dm | Subdominant — moves away from home | D · F · A | 9× |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | 9× |
| VI | F | Submediant — warm colour | F · A · C | 9× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | — |
| #VII | G# | Chromatic colour chordoutside the key | G# · B# · D# | 6× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 5 different chords appear 48 times in total; 3 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from C, the same E is V/vi, a secondary dominant heading for Am. G# is borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
- Dm E Cii → V/vi Amiv → Viv → V ×9
- E Am CV/vi → vi AmV → iharmonic-minor cadence ×8
The move to watch is Dm → E, heard 9 times. From the Am side it is iv → V (iv → V: the minor side's tension builder); from the C side it reads ii → V/vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- When E comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.
- On G#, follow the chord's notes (G# · B# · D#) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The opening Am lays a solid floor for everything that follows. The chords that keep coming back are Am, F, Dm, E; read them as vi–IV–ii–V/vi in C or i–VI–iv–V in Am. E is the interesting twist: in C it is a chromatic chord (V/vi), while in Am it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Dm → E (ii → V/vi in C, iv → V in Am): iv → V — the minor side's tension builder. The final chord is E; the ear comes to rest in C.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Anonim - Çayelinden Öteye Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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