Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Majeste - Aşk Dediğin - Chord
Key Gb major – Eb minor Chords Ebm, Db, Abm, Bb, B Easy key C (capo 6)
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Key: Gb | D#m | Ebm
Capo: 0
Ebm Ebm Db Abm Ebm Db Abm Ebm Db Abm Aşk dediğin belki de budur Ebm Db Abm Ebm Db Abm Hep acıtır arkandan vurur Ebm Db Abm Ebm Db Abm Belki de bu son sefer olur Ebm Db Abm Ebm Db Abm Kalbim durur dertler son bulur Bb B Sanma üç günlük bu hislerim Bb B Ben burada her gün seni beklerim Ebm Db Abm Gel beni kendinden mahrum etme ne olur Ebm Db Abm Bu hayat sen yoksan zehir olur Ebm Db Abm Duy beni duy ne olur dön bana dön ne olur Ebm Db Abm Aşk dediğin elbet bir yol bulur Ebm Ebm Db Abm Ebm Db Abm Ebm Db Abm Aşk dediğin böyle son bulur Ebm Db Abm Ebm Db Abm Kalbin durur sevdiğin el olur Ebm Db Abm Ebm Db Abm Belki de yarın unutulur Ebm Db Abm Ebm Db Abm Aşk dediğin bir masal olur Bb B Sen yokken de atıyorsa kalbim Bb B Atmasın öyle dursun isterim Ebm Db Abm Gel beni kendinden mahrum etme ne olur Ebm Db Abm Bu hayat sen yoksan zehir olur Ebm Db Abm Duy beni duy ne olur dön bana dön ne olur Ebm Db Abm Aşk dediğin elbet bir yol bulur Bb B Db Abm
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Majeste - Aşk Dediğin Tabs
intro
Ebm Db Abm Ebm Db Abm
E------------------------------------|--------------------------------|
B------------------------------------|--------------------------------|
G-------11-10h11p10-8-10-------------|-------11-10h11p10-8-10----10-8-|
D-8-9-8------------------11-9-9-8----|-8-9-8------------------11------|
A---------------------------------11-|--------------------------------|
E------------------------------------|--------------------------------|
E-------------------------------------|--------------------------------|
B-------------------------------------|--------------------------------|
G-------11-10h11p10-8-10-------8------|-------11-10h11p10-8-10----10-8-|
D-8-9-8------------------11-11---11-9-|-8-9-8------------------11------|
A-------------------------------------|--------------------------------|
E-------------------------------------|--------------------------------|
NotesX
Harmony analysis
Majeste – Aşk Dediğin: key and chord analysis
The song opens on Ebm and ends on Abm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
- #7 = D (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because it opens on Ebm, Ebm is heard 28 times while Gb never appears and the major V chord points straight at Ebm. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | — |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | 27× |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | — |
| V/vi | Bb | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F | 5× |
| IV | B | Subdominant — moves away from home | B · D# · F# | 5× |
| V | Db | Dominant — strongest pull home | Db · F · Ab | 27× |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | 28× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | 28× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | — |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | 27× |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | — |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | 5× |
| VI | B | Submediant — warm colour | B · D# · F# | 5× |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | 27× |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 5 different chords appear 92 times in total; 4 of them sit naturally inside the shared scale. The major V of Ebm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Gb, the same Bb is V/vi, a secondary dominant heading for Ebm.
Chord movement
- Abm Ebm Gbii → vi Ebmiv → iminor plagal ×23
- Abm Bb Gbii → V/vi Ebmiv → Viv → V ×3
- B Ebm GbIV → vi EbmVI → iVI → i ×2
- B Db GbIV → VIV → V EbmVI → VIIVI → VII ×1
The move to watch is Abm → Ebm, heard 23 times. From the Ebm side it is iv → i (minor plagal: deep and melancholic); from the Gb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Abm, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.
- When Bb comes, swap the scale's Db for D: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone up
The song's harmonic story
Starting on Ebm, the song gives away its key from the very first bar. The backbone is Ebm, Db, Abm, Bb — vi–V–ii–V/vi from the Gb side, i–VII–iv–V from the Ebm side. Bb is the interesting twist: in Gb it is a chromatic chord (V/vi), while in Ebm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Abm → Ebm (ii → vi in Gb, iv → i in Ebm): minor plagal — deep and melancholic. The final chord is Abm; the ear comes to rest in Gb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Majeste - Aşk Dediğin Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Alper Gemici
Kerem Ozan ŞahinMusic: Alper Gemici
Kerem Ozan ŞahinArrangement: Alper Gemici
Kerem Ozan ŞahinMusic: Alper Gemici
Kerem Ozan ŞahinArrangement: Alper Gemici
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