Kenan Doğulu - Kurşun Adres Sormaz ki - Chord

Key C major – A minor Chords Am, E, Dm, C, G, Em Difficulty already in its easiest key

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Capo 0

          E        Am         
Yine de sen, son sevdiğim        
       Dm           G          C    
Uğruna sevgiler aşklar tükettiğim
          E        Am         
Yine de sen, tek bildiğim        
       Dm          E        Am  
Yollarına aşk tohumları serdiğim 

    C                Dm
Bu can buna  hayran sevişine kurban
G                   C
Alıştırmasaydın insafsız
                    Dm
Bu can sana hayran gülüşüne kurban
E          
Şimdi vazgeçemem ben inan

Am                      
Kurşun adres sormaz ki  
Em                      
Yaktın beni en derinden 
Dm                       
Depremlerde yine yüreğim
Em                      
Yangınlar çaresiz           

Dm
Dön gel yine sev beni
Am
Sar sevgine sevgimi
E                    Am
Nefes gibi muhtacım sana           

          E        Am
Yine de ben hep seninim
        Dm          G         C
İlk şarabı senin elinden içmisim
         E       Am
Yine de sen ille de sen
       Dm             E     Am    
Senin ilacin bil ki bende sevgilim

          E         Am
Yine de ben hep seninim
        Dm          G         C
İlk şarabı senin elinden içmisim
         E       Am
Yine de sen ille de sen
      Dm            E        Am  
Benim ilacim bil ki sende sevgilim

End of song Play again?

Kenan Doğulu - Kurşun Adres Sormaz ki Tabs

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Harmony analysis

Kenan Doğulu – Kurşun Adres Sormaz ki: key and chord analysis

The song opens on E and ends on Am. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)
#7 = G# (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the A minor side because it comes to rest on Am, Am is heard 12 times against 5 for C and the major V chord points straight at Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	5×
ii	Dm	Supertonic — prepares the dominant	D · F · A	10×
iii	Em	Mediant — a tonic-family shade	E · G · B	2×
V/vi	E	Secondary dominant V/vi — leads to Amsecondary dominant	E · G# · B	11×
IV	F	Subdominant — moves away from home	F · A · C	—
V	G	Dominant — strongest pull home	G · B · D	4×
vi	Am	Relative minor — the melancholy side	A · C · E	12×
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i	Am	Tonic — home	A · C · E	12×
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
III	C	Relative major — the bright side	C · E · G	5×
iv	Dm	Subdominant — moves away from home	D · F · A	10×
v	Em	Minor dominant — soft pull	E · G · B	2×
V	E	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B	11×
VI	F	Submediant — warm colour	F · A · C	—
VII	G	Subtonic — steps back to the tonic	G · B · D	4×

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 6 different chords appear 44 times in total; 5 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from C, the same E is V/vi, a secondary dominant heading for Am.

Chord movement

E Am CV/vi → vi AmV → iharmonic-minor cadence ×11
G C CV → Iauthentic cadence AmVII → III ×4
Dm G Cii → Vii → V Amiv → VII ×4
Dm E Cii → V/vi Amiv → Viv → V ×4
Dm Am Cii → vi Amiv → iminor plagal ×1

The move to watch is E → Am, heard 11 times. From the Am side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the C side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
When E comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The first chord is E; the ear learns where home is within a second. The chords that keep coming back are Am, E, Dm, C; read them as vi–V/vi–ii–I in C or i–V–iv–III in Am. E is the interesting twist: in C it is a chromatic chord (V/vi), while in Am it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on E → Am (V/vi → vi in C, V → i in Am): harmonic-minor cadence — the major V resolves dramatically. Ending on Am, the song seals Am as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.