Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Flört - Eski Dostum - Chord
Key G major – E minor Chords Em, Am, D, Bm, C, G, F#, B Easy key C (capo 7)
No ratings yet
or your user informations
Make it yours
Text size
Key: G | Em
Capo: 0
Em D Am Gel oturalım istersen şurda iki dakika Em D Am Görüşmeyeli neler oldu biraz anlatırdık Em Bm Am Eski çocuklardan bir iki laf ederdik Em D Am Ya da güneş yanıklarımıza merhem sürerdik G B Em Aaaah eski dostum G F# Em Aaaah eski dostum Em D Am Galataya gidip iki duble rakı içerdik Em D Am Saçlarımızdaki beyazları değişirdik Em Bm Am Aaah kalbin bana hala kırıksa sana aşk olsun Em D Am İnan bana yaşadığımız her şey için hamdolsun G F# Em Bugün nasılsın eski dostum C Bm Em Her şey yolunda mı eski dostum C Bm Am Beni özledin mi eski dostum C Bm Em Rahat uyuyor musun eski dostum Em D Am Kişisel yaşantında sanki çok mutluydun Em D Am Tren rayına yattığın günü ne çabuk unuttun Em Bm Am Sen de bize az çektirmedin be birader Em D Am Sürekli devinimler sürekli darbeler G F# Em Hayat işte böyle eski dostum C Bm Em Artılar eksiler eski dostum C Bm Am Balon uçtu gitti eski dostum C Bm Em Eskisi gibi olmaz eski dostum
End of song Play again?
Flört - Eski Dostum Tabs
NotesX
Harmony analysis
Flört – Eski Dostum: key and chord analysis
The song opens on Em and ends on Em. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
- #7 = D# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it both starts and finishes on Em, Em is heard 20 times against 4 for G and the major V chord points straight at Em. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 4× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 14× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 9× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | 1× |
| IV | C | Subdominant — moves away from home | C · E · G | 6× |
| V | D | Dominant — strongest pull home | D · F# · A | 9× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 20× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| V/iii | F# | Secondary dominant V/iii — leads to Bmsecondary dominant | F# · A# · C# | 3× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 20× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| V/v | F# | Secondary dominant V/v — leads to Bmsecondary dominant | F# · A# · C# | 3× |
| III | G | Relative major — the bright side | G · B · D | 4× |
| iv | Am | Subdominant — moves away from home | A · C · E | 14× |
| v | Bm | Minor dominant — soft pull | B · D · F# | 9× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | 1× |
| VI | C | Submediant — warm colour | C · E · G | 6× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 9× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 8 different chords appear 66 times in total; 6 of them sit naturally inside the shared scale. The major V of Em brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from G, the same B is V/vi, a secondary dominant heading for Em. F# acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Am Em Gii → vi Emiv → iminor plagal ×9
- Bm Em Giii → vi Emv → inatural-minor cadence ×4
- B Em GV/vi → vi EmV → iharmonic-minor cadence ×1
The move to watch is Am → Em, heard 9 times. From the Em side it is iv → i (minor plagal: deep and melancholic); from the G side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- When B comes, swap the scale's D for D#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
The opening Em lays a solid floor for everything that follows. The chords that keep coming back are Em, Am, D, Bm; read them as vi–ii–V–iii in G or i–iv–VII–v in Em. F# is the interesting twist: in G it is a chromatic chord (V/iii), while in Em it becomes the dominant (V/v) that makes the minor side sound so determined. Keep an ear on Am → Em (ii → vi in G, iv → i in Em): minor plagal — deep and melancholic. It closes on Em, letting the Em side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Flört - Eski Dostum Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.