Ajda Pekkan - Kimler Geldi Kimler Geçti - Chord

Key Eb major – C minor Chords Fm, Bb, Eb, Ab, G7, Cm, C Easy key G

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Capo 0

Cm                    Fm
Bilmem ki bu aksam sen de bir hoş musun?
Bb               Eb
İçmeden hatıralardan sarhoş musun?
Ab                Fm               G7             Cm
Ellerin sanki bak hala ellerimde yanıyor duyuyor musun?
                           Fm
Dostlar seni söylüyor sahi mutsuz musun
Bb                    Eb
Bu yolda dönüş yok sen bilmiyor musun
Ab                     Fm
Her şey gönlünce olmaz demiştim sana
 G7                      Cm
Kaderden kaçılmaz görüyorsun
             
           C         Fm
Kimler geldi hayatımdan kimler geçti
        Bb         Eb
Hiç birisi hasretini gidermedi
       Ab          Fm
En güzeli senin kadar sevilmedi
          G7         C
Kimler geldi kimler geçti


Cm                    Fm
Korkma bu aksam gelip çalmam kapını
Bb                 Eb
Başkası paylaşıyor alın yazını
Ab                   Fm                           G7
Ben sensiz yaşıyorum yasak aşkını söylüyorum şarkını

          C          Fm
Kimler geldi sorma sakin kimler geçti
        Bb         Eb
Hiç birisi hasretini gidermedi
       Ab          Fm
En güzeli senin kadar sevilmedi
          G7         C
Kimler geldi kimler geçti

End of song Play again?

Ajda Pekkan - Kimler Geldi Kimler Geçti Tabs

NotesX

Harmony analysis

Ajda Pekkan – Kimler Geldi Kimler Geçti: key and chord analysis

The song opens on Cm and ends on C. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)
#7 = B (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it opens on Cm, Eb is heard 5 times against 4 for Cm and the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	5×
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	10×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	—
V7/vi	G7	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D · F	5×
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	5×
V	Bb	Dominant — strongest pull home	Bb · D · F	5×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	4×
V/ii	C	Secondary dominant V/ii — leads to Fmsecondary dominant	C · E · G	4×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	4×
V/iv	C	Secondary dominant V/iv — leads to Fmsecondary dominant	C · E · G	4×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	5×
iv	Fm	Subdominant — moves away from home	F · Ab · C	10×
v	Gm	Minor dominant — soft pull	G · Bb · D	—
V7	G7	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D · F	5×
VI	Ab	Submediant — warm colour	Ab · C · Eb	5×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	5×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 7 different chords appear 38 times in total; 5 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G7 is V7/vi, a secondary dominant heading for Cm. C acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

Bb Eb EbV → Iauthentic cadence CmVII → III ×5
Fm Bb Ebii → Vii → V Cmiv → VII ×5
Fm G7 Ebii → V7/vi Cmiv → V7iv → V ×5
G7 C EbV7/vi → V/iisecondary resolution CmV7 → V/iv ×3
G7 Cm EbV7/vi → visecondary resolution CmV7 → iharmonic-minor cadence ×2

The move to watch is Bb → Eb, heard 5 times. From the Cm side it is VII → III; from the Eb side it reads V → I (authentic cadence: the strongest arrival home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
When G7 comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

4 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

Starting on Cm, the song gives away its key from the very first bar. The chords that keep coming back are Fm, Bb, Eb, Ab; read them as ii–V–I–IV in Eb or iv–VII–III–VI in Cm. G7 is the interesting twist: in Eb it is a chromatic chord (V7/vi), while in Cm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on Bb → Eb (V → I in Eb, VII → III in Cm): authentic cadence — the strongest arrival home. Ending on C, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.