Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
İrem Derici - Bambaşka Biri (Yasin Keleş) - Chord
Key C major – A minor Chords Dm, E, Am, G, C, F Difficulty already in its easiest key
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Key: C | Am
Capo: 0
Am Dm
Sardı korkular, gelecek yıllar
G C
Düşündüm sensiz nasıl yaşanacaklar
F Dm
Gözlerimde canlanınca yaptığın haksızlıklar
E
Güçlendim, herşey bambaşka olacak
Am Dm G C F Dm E E
Am Dm
Döndün bak, geldin şimdi
G C
Bugünü aslında nasıl sabırla bekledimdi
F Dm
Seni yalvarırken görmek seni ağlatabilmek
E
Geçmişi senden geri almak bütün ümidimdi
Am Dm
Olmaz artık, kapı açık
G C
Arkanı dön ve çık, istenmiyorsun artık
F Dm
Bir zamanlar sen de bana acımadın
E
Yalnız kaldım, yıkılmadım ayaktayım
Am Dm
Yaşadım, yaşıyorum
G C
Başım yukarıda meydan okuyorum hayata ve sana
F Dm
Gönlüm doluyor aşkla barıştım bak hayatla
E
Başladım yaşamaya
Am Dm G C F Dm E E
Am Dm
Şimdi gel de gör beni, bambaşka biri
G C
Topladım dağılan kalbimin her köşesini
F Dm
Ardından ağlayan o zavallı kız nerede şimdi
E Am Dm
Gel gör beni, sevenlere vereceğim sevgimi, her şeyimi
G C
Bugünü aslında nasıl sabırla bekledimdi
F Dm
Seni yalvarırken görmek seni ağlatabilmek
E
Geçmişi senden geri almak bütün ümidimdi
End of song Play again?
İrem Derici - Bambaşka Biri (Yasin Keleş) Tabs
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Harmony analysis
İrem Derici – Bambaşka Biri (Yasin Keleş): key and chord analysis
The song opens on Am and ends on E. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
- #7 = G# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it opens on Am and the major V chord points straight at Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | 8× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 16× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | 10× |
| IV | F | Subdominant — moves away from home | F · A · C | 8× |
| V | G | Dominant — strongest pull home | G · B · D | 8× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 8× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 8× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | 8× |
| iv | Dm | Subdominant — moves away from home | D · F · A | 16× |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | 10× |
| VI | F | Submediant — warm colour | F · A · C | 8× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 8× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 6 different chords appear 58 times in total; 5 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from C, the same E is V/vi, a secondary dominant heading for Am.
Chord movement
- G C CV → Iauthentic cadence AmVII → III ×8
- Dm G Cii → Vii → V Amiv → VII ×8
- Dm E Cii → V/vi Amiv → Viv → V ×8
- E Am CV/vi → vi AmV → iharmonic-minor cadence ×7
The move to watch is G → C, heard 8 times. From the Am side it is VII → III; from the C side it reads V → I (authentic cadence: the strongest arrival home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- When E comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
Starting on Am, the song gives away its key from the very first bar. The chords that keep coming back are Dm, E, Am, G; read them as ii–V/vi–vi–V in C or iv–V–i–VII in Am. E is the interesting twist: in C it is a chromatic chord (V/vi), while in Am it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on G → C (V → I in C, VII → III in Am): authentic cadence — the strongest arrival home. Ending on E, the song seals C as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
İrem Derici - Bambaşka Biri (Yasin Keleş) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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