Major view
A major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G# (leading tone, pulls home)
- 4 = D (the note that leans on the 3rd)
Rafet El Roman - Seni Seviyorum - Chord
Key A major – F# minor Chords B, C#m, G#m, A, F#m, E, G# Easy key F (capo 4)
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Key: A | Gbm | F#m
Capo: 0
C#m G#m F#m
Sen bilemezsin ne çektiyor, yokluğun bana sevgilim
B E
Bitmez sorular uzar geceler o düşünceler üzüntüler
C#m G#m B F#m
Sen gençliğimin büyük parçası sen gençliğimin anlamı
B E
Biz neler neler yaşadık beraber, kalın bir roman kitap gibi
C#m A B G#m
Sen gittiğin an çaresiz kalır, aklım karışır, rahat edemem
C#m A B G#m
Moralim bozulur, canım sıkılır, sen bilmezsin daha neler
C#m A B G#m
Bak ne diyorum gizlemiyorum, sensiz yaşamak zor geliyor bana
C#m A B G#m
Her an içimdesin her an kalbimdesin, seni seviyorum seviyorum
C#m A B G#m
Sensiz yaşayamam sensiz hiç olamam, sensiz yaşamak zor geliyor bana
C#m A B G#m
Her an içimdesin her an kalbimdesin, seni seviyorum seviyorum
A F#m B G#
Ve o an gelir de işte o an ben yaşayamam
C#m G#m B F#m
Hangi yönünü çok seviyorum biliyor musun sevgilim
B E
Biz konuşunca beraber hayattan gösterdiğin o anlayış
C#m G#m B F#m
Sonra dalınca derin bakışınca gözlerindeki o sevinç
B E
Bana sarılınca sonra sorunca, ne kadar seni sevdiğimi
C#m A B G#m
Sen gittiğin an biter cesaretim uzar hedeflerim hayallerim
C#m A B G#m
Bitmez sorular dinmez kederim, o düşünceler üzüntüler
End of song Play again?
Rafet El Roman - Seni Seviyorum Tabs
NotesX
Harmony analysis
Rafet El Roman – Seni Seviyorum: key and chord analysis
The song opens on C#m and ends on G#m. Its chords belong to both A major and F#m, so every chord below is read both ways.
Minor view
F# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = D (the minor's melancholy)
- b7 = E (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A major side because A is heard 9 times against 5 for F#m. That is an interpretation, not a rule — hearing the same chords from F# minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to A or to F#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | A | Tonic — home | A · C# · E | 9× |
| ii | Bm | Supertonic — prepares the dominant | B · D · F# | — |
| V/V | B | Secondary dominant V/V — leads to Esecondary dominant | B · D# · F# | 16× |
| iii | C#m | Mediant — a tonic-family shade | C# · E · G# | 12× |
| V/vi | C# | Secondary dominant V/vi — leads to F#msecondary dominant | C# · E# · G# | — |
| IV | D | Subdominant — moves away from home | D · F# · A | — |
| V | E | Dominant — strongest pull home | E · G# · B | 4× |
| vi | F#m | Relative minor — the melancholy side | F# · A · C# | 5× |
| vii° | G#dim | Leading-tone chord — tension | G# · B · D | — |
| vii | G#m | Chromatic colour chordoutside the key | G# · B · D# | 12× |
| V/iii | G# | Secondary dominant V/iii — leads to C#msecondary dominant | G# · B# · D# | 1× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | F#m | Tonic — home | F# · A · C# | 5× |
| ii° | G#dim | Supertonic — prepares the dominant | G# · B · D | — |
| ii | G#m | Chromatic colour chordoutside the key | G# · B · D# | 12× |
| V/v | G# | Secondary dominant V/v — leads to C#msecondary dominant | G# · B# · D# | 1× |
| III | A | Relative major — the bright side | A · C# · E | 9× |
| iv | Bm | Subdominant — moves away from home | B · D · F# | — |
| IV | B | Major IV — Dorian / melodic-minor colourmodal colour | B · D# · F# | 16× |
| v | C#m | Minor dominant — soft pull | C# · E · G# | 12× |
| V | C# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C# · E# · G# | — |
| VI | D | Submediant — warm colour | D · F# · A | — |
| VII | E | Subtonic — steps back to the tonic | E · G# · B | 4× |
Analysis
The key pair is A major and its relative F# minor (3 sharps). 7 different chords appear 59 times in total; 4 of them sit naturally inside the shared scale. B, G# act as secondary dominants, briefly pointing at another chord of the key.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- A major pentatonic and F# minor pentatonic are the same five notes (A – B – C# – E – F#): start from A for a brighter phrase, from F# for a bluesier one.
- Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
- Over C#m, land on C#, E, G# — the chord's own tones always sound right on strong beats.
- Over G#m, land on G#, B, D# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With A major shapes
- No capo — open A shapes
- Capo 2 + G shapes
- Capo 5 + E shapes
With F# minor shapes
- Capo 2 + Em shapes
- Capo 4 + Dm shapes
Easiest keys on guitar
- 4 semitones down · capo 4 keeps the original pitch
- 3 semitones up
The song's harmonic story
The opening C#m lays a solid floor for everything that follows. The backbone is B, C#m, G#m, A — V/V–iii–vii–I from the A side, IV–v–ii–III from the F#m side. B adds a moment of surprise: secondary dominant V/V — leads to E. The final chord is G#m; the ear comes to rest in A.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Rafet El Roman - Seni Seviyorum Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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