Cem Karaca - Raptiye Rap Rap - Chord

Key Bb major – G minor Chords C#5, E5, C5, F5, C Difficulty already in its easiest key

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Capo 0

C5                            C#5     E5    F5
Hanimini hüppen dezigi banna rap rap
C5                            C#5     E5    F5
Tefeşle kayyuş illede kıtmir rap rap
C5                                   C#5     E5    F5
Alavere dalavere kim ala da kim vere rap rap
C5                                  C#5    E5    F5
Köşeleri möşeleri dön baba dönelim rap rap
C5                                  C#5  E5    F5
Raptiye rap rap zaptiye zap zap rap rap
C                               C#5    E5    F5
N'aber nitekin gene geldi şapka rap rap

C5     E5    C#5
Ben sana hayran
C5     E5    C#5
Sen cama tırman
F5         E5      C#5     C5
Yok içmeye bir şişe bile ayran
F5        E5       C#5     C5
Nene gerek senin taht-ı revan

C5                              C#5     E5    F5
Maaşla gırtlak gırtlak gırtlağa rap rap
C5                                C#5     E5    F5
Bir kitap okuyor bakın şu çatlağa rap rap
C5                                C#5     E5    F5
Liberal miberal malı kap götür al rap rap
C5                                C#5     E5    F5
Eriyor liralar mark kap dolar al rap rap
C5                             C#5     E5    F5
Bul bir kaşalot toriğini işlet rap rap
C5                           C#5     E5    F5
Bir koy üç al üçünüde beşlet rap rap
C5                              C#5     E5    F5
Raptiye rap rap zaptiye zap zap rap rap
C5                              C#5     E5    F5
N'aber nitekim gene geldi şapka rap rap

Üf baba bu ne be fotoğraf makinası
Uuu aaa uuu aaa uuu aaa
Lambada markası uuuu aaa

C5     E5    C#5
Ben sana hayran
C5     E5    C#5
Sen cama tırman
F5         E5      C#5     C5
Yok içmeye bir şişe bile ayran
F5        E5       C#5     C5
Nene gerek senin taht-ı revan

Şarkıyı burda yasaklasakta mı saklasak
Oh george
Şarkıyı yoksa yasaklasakta mı saklasak
Oh george

C5                           C#5     E5    F5
Hanimini hüppen dezigi banna rap rap
C5                           C#5     E5    F5
Tefeşle kayyuş illede kıtmir rap rap
C5                              C#5     E5    F5
Raptiye rap rap zaptiye zap zap rap rap
C5                             C#5     E5    F5
Naber nitekim gene geldi şapka rap rap

End of song Play again?

Cem Karaca - Raptiye Rap Rap Tabs

NotesX

Harmony analysis

Cem Karaca – Raptiye Rap Rap: key and chord analysis

The song opens on C5 and ends on F5. Its chords belong to both Bb major and Gm, so every chord below is read both ways.

Major view

Bb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A (leading tone, pulls home)
4 = Eb (the note that leans on the 3rd)

Minor view

G minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Eb (the minor's melancholy)
b7 = F (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Bb major and G minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Bb major
Degree	Chord	Role	Notes	In song
I	Bb	Tonic — home	Bb · D · F	—
II	C5	Supertonic — prepares the dominant	C · G	25×
ii	Cm	Supertonic — prepares the dominant	C · Eb · G	—
V/V	C	Secondary dominant V/V — leads to Fsecondary dominant	C · E · G	1×
bIII	C#5	Chromatic colour chordoutside the key	C# · G#	26×
iii	Dm	Mediant — a tonic-family shade	D · F · A	—
III	D	Chromatic colour chordoutside the key	D · F# · A	—
IV	Eb	Subdominant — moves away from home	Eb · G · Bb	—
#IV	E5	Chromatic colour chordoutside the key	E · B	26×
V	F5	Dominant — strongest pull home	F · C	22×
V	F	Dominant — strongest pull home	F · A · C	—
vi	Gm	Relative minor — the melancholy side	G · Bb · D	—
vii°	Adim	Leading-tone chord — tension	A · C · Eb	—

Seen from G minor
Degree	Chord	Role	Notes	In song
i	Gm	Tonic — home	G · Bb · D	—
ii°	Adim	Supertonic — prepares the dominant	A · C · Eb	—
III	Bb	Relative major — the bright side	Bb · D · F	—
IV	C5	Subdominant — moves away from home	C · G	25×
iv	Cm	Subdominant — moves away from home	C · Eb · G	—
IV	C	Major IV — Dorian / melodic-minor colourmodal colour	C · E · G	1×
#IV	C#5	Chromatic colour chordoutside the key	C# · G#	26×
v	Dm	Minor dominant — soft pull	D · F · A	—
V	D	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D · F# · A	—
VI	Eb	Submediant — warm colour	Eb · G · Bb	—
#VI	E5	Chromatic colour chordoutside the key	E · B	26×
VII	F5	Subtonic — steps back to the tonic	F · C	22×
VII	F	Subtonic — steps back to the tonic	F · A · C	—

Analysis

The key pair is Bb major and its relative G minor (2 flats). 5 different chords appear 100 times in total; 2 of them sit naturally inside the shared scale. C acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
Over C#5, land on C#, G# — the chord's own tones always sound right on strong beats.
Over E5, land on E, B — the chord's own tones always sound right on strong beats.
Over C5, land on C, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Bb major shapes

Capo 1 + A shapes
Capo 3 + G shapes
Capo 6 + E shapes

With G minor shapes

Capo 3 + Em shapes
Capo 5 + Dm shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The first chord is C5; the ear learns where home is within a second. C#5, E5, C5, F5 carry the song: bIII–#IV–II–V relative to Bb, #IV–#VI–IV–VII relative to Gm. C adds a moment of surprise: secondary dominant V/V — leads to F. It closes on F5, letting the Bb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.