Berkay - Hata Benim - Chord

Key F major – D minor Chords Am7, Gm7, Bbmaj7, Gm Easy key C (capo 5)

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Capo 0

Am7  Am7  Gm7  Gm7  Am7  Am7  Gm7  Gm7

       Am7          Gm7
Hata benim, gerçekleri göre göre
        Am7 
Kalbim zaten yara bere
        Gm7                 Am7  Gm
Bu gece son defa dene desen de yoook
      Am7
Bitti her şey

Am7                      Gm7
Beni kalbimden vurdun ki sen
       Am7       Gm7  Am7
Kaza gibi ceza gibi
Bbmaj7                Am7
Hani sevmek serbestti ah
          Gm7  Am7  Bbmaj7     Am7
Sen hep banaaaaaaaaaaa yasak gibi

Am7                  Gm7
Bir gün daha sensizliğe
       Am7           Gm7  Am7
Tahammülüm hiç yok gibi
Bbmaj7                Am7
Bugün son kez gördüm seni
        Gm7  Am7  Bbmaj7     Am7
Şimdi ölmeeeeeeeeeeek kolay gibi

End of song Play again?

Berkay - Hata Benim Tabs

NotesX

Harmony analysis

Berkay – Hata Benim: key and chord analysis

The song opens on Am7 and ends on Am7. Its chords belong to both F major and Dm, so every chord below is read both ways.

Major view

F major

Brightness rank 2/7 (bright)

Characteristic notes

7 = E (leading tone, pulls home)
4 = Bb (the note that leans on the 3rd)

Minor view

D minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Bb (the minor's melancholy)
b7 = C (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between F major and D minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from F major
Degree	Chord	Role	Notes	In song
I	F	Tonic — home	F · A · C	—
ii7	Gm7	Supertonic — prepares the dominant	G · Bb · D · F	12×
ii	Gm	Supertonic — prepares the dominant	G · Bb · D	1×
iii7	Am7	Mediant — a tonic-family shade	A · C · E · G	20×
III	A	Chromatic colour chordoutside the key	A · C# · E	—
IVmaj7	Bbmaj7	Subdominant — moves away from home	Bb · D · F · A	4×
V	C	Dominant — strongest pull home	C · E · G	—
vi	Dm	Relative minor — the melancholy side	D · F · A	—
vii°	Edim	Leading-tone chord — tension	E · G · Bb	—

Seen from D minor
Degree	Chord	Role	Notes	In song
i	Dm	Tonic — home	D · F · A	—
ii°	Edim	Supertonic — prepares the dominant	E · G · Bb	—
III	F	Relative major — the bright side	F · A · C	—
iv7	Gm7	Subdominant — moves away from home	G · Bb · D · F	12×
iv	Gm	Subdominant — moves away from home	G · Bb · D	1×
v7	Am7	Minor dominant — soft pull	A · C · E · G	20×
V	A	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	A · C# · E	—
VImaj7	Bbmaj7	Submediant — warm colour	Bb · D · F · A	4×
VII	C	Subtonic — steps back to the tonic	C · E · G	—

Analysis

The key pair is F major and its relative D minor (1 flat). 4 different chords appear 37 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Bbmaj7, land on Bb, D, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With F major shapes

Capo 1 + E shapes
Capo 3 + D shapes
Capo 5 + C shapes

With D minor shapes

No capo — open Dm shapes
Capo 5 + Am shapes

Easiest keys on guitar

5 semitones down · capo 5 keeps the original pitch
2 semitones up

The song's harmonic story

Starting on Am7, the song gives away its key from the very first bar. Am7, Gm7, Bbmaj7, Gm carry the song: iii7–ii7–IVmaj7–ii relative to F, v7–iv7–VImaj7–iv relative to Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Am7, the song seals F as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.