Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Deli Dünya - Ölmek Olmaz - Chord
Key G major – E minor Chords Bm, C, D, Am Difficulty already in its easiest key
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Key: G | Em
Capo: 0
Bm Bm Bm Bm Bm Bm C D Bm Bm C D x2 Bm C D Gündüzler gecelere karışır Bm C D Mutlu bir yüz göremedeeen Bm C D Gökyüzü üzerime kapanır Bm C D Güneşin rengini bilemedeeen Bm C D Yıldızlar kederime alışık Bm C D Öyle sessiz dur zamaaan Bm C D Aklımda boş bir kalabalık Bm C D Bir soran yok ama nedeeen Bm C D C Bm C D C Yaaarın dünden uuuzak deeğil Bm C D C Bm C D C Haaayat uuçtu gitti elimizden Bm C D C Bende durur ilk yazın hasreti Bm C D C Niye ömrüm bir çiçek açmaz Bm C D C Görmeden o sevincin rengini Am D Bm Öllmek olmaz x2 Bm Bm C D Bm Bm C D x2 Bm C D C Bende durur ilk yazın hasreti Bm C D C Niye ömrüm bir çiçek açmaz Bm C D C Görmeden o sevincin rengini Am D Bm Öllmek olmaz x2
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Deli Dünya - Ölmek Olmaz Tabs
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Harmony analysis
Deli Dünya – Ölmek Olmaz: key and chord analysis
The song opens on Bm and ends on Bm. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between G major and E minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 2× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 32× |
| III | B | Chromatic colour chordoutside the key | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 32× |
| V | D | Dominant — strongest pull home | D · F# · A | 24× |
| vi | Em | Relative minor — the melancholy side | E · G · B | — |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | — |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv | Am | Subdominant — moves away from home | A · C · E | 2× |
| v | Bm | Minor dominant — soft pull | B · D · F# | 32× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 32× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 24× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 4 different chords appear 90 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- C D GIV → VIV → V EmVI → VIIVI → VII ×22
- Am D Gii → Vii → V Emiv → VII ×2
The move to watch is C → D, heard 22 times. From the G side it reads IV → V (IV → V: the lift that builds tension before home); from the Em side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
Starting on Bm, the song gives away its key from the very first bar. The chords that keep coming back are Bm, C, D, Am; read them as iii–IV–V–ii in G or v–VI–VII–iv in Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → D (IV → V in G, VI → VII in Em): IV → V — the lift that builds tension before home. It closes on Bm, letting the G side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Deli Dünya - Ölmek Olmaz Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Fatih Demir, Butimar (Sedat Şahin)Music: Fatih Demir, Butimar (Sedat Şahin)Arrangement: Butimar (Sedat Şahin), Kadir Süzgün
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