Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Grup Yorum - Sevda Türküsü - Chord
Key Bb major – G minor Chords Gm, Cm, F, Bb, Eb Easy key G (capo 3)
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Key: Bb | Gm
Capo: 0
Gm F Gm F Cm Gm F Gm x2 Bb Cm Cm Gm Cm F Eb Gm Cm Cm Gm Gm Cm F Eb F Gm Cm Gm Bb F Gm Adın deler dağ başında kaarlaarı Cm Gm Bb F Gm Kokun aşar dereleri yaarlaarı Bb Cm Çiçek çiçek kuşatırsın dalları telli duvak Gm Dalları mor salkımlı Cm F Eb F Gm Dallları güneş güneş daallaarı Cm Gm Çiçek çiçek kuşatırsın dalları telli duvak Cm F Eb F Gm Dalları mor salkımlı daallaarı Gm F Gm F Cm Gm F Gm x2 Cm Gm Bb F Gm Sevmek demek kavga demek biiiliirim Cm Gm Bb F Gm Türkü türkü, şiir şiir sööyleriim Bb Cm Senden uzak yaşamayı neylerim özlem, özlem Gm Cm F Gm Neylerim yasak yasak, neylerim ayrı ayrı neylerim Cm Gm Senden uzak yaşamayı neylerim özlem, özlem Cm F Eb F Gm Neylerim yasak yasak, neeyleerim Gm F Gm F Cm Gm F Gm x2 Bb Cm Cm Gm Cm F Eb Gm Cm Cm Gm Gm Cm F Eb F Gm Cm Gm Bb F Gm Yaprak olur savrulursun yeelleerde Cm Gm Bb F Gm Destan olur söylenirsin diilleerde Bb Cm Damla damla süzülürsün güllerde özlem, özlem Gm Cm F Gm Güllerde sevda sevda, güllerde susmak bilmez güllerde Cm Gm Damla damla süzülürsün güllerde özle, özlem Cm F Eb F Gm Güllerde sevda sevda güülleerde Cm Gm Damla damla süzülürsün güllerde özle, özlem Cm F Eb F Gm Güllerde sevda sevda güülleerde
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Grup Yorum - Sevda Türküsü Tabs
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Harmony analysis
Grup Yorum – Sevda Türküsü: key and chord analysis
The song opens on Gm and ends on Gm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it both starts and finishes on Gm and Gm is heard 48 times against 11 for Bb. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | 11× |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 35× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | — |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | 9× |
| V | F | Dominant — strongest pull home | F · A · C | 33× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 48× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 48× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | 11× |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 35× |
| v | Dm | Minor dominant — soft pull | D · F · A | — |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | 9× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 33× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 5 different chords appear 136 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- F Gm BbV → videceptive cadence GmVII → iAeolian arrival ×21
- Cm Gm Bbii → vi Gmiv → iminor plagal ×20
- Cm F Bbii → Vii → V Gmiv → VII ×11
- Eb F BbIV → VIV → V GmVI → VIIVI → VII ×7
- Eb Gm BbIV → vi GmVI → iVI → i ×2
The move to watch is F → Gm, heard 21 times. From the Gm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Bb side it reads V → vi (deceptive cadence: expected Bb, lands on Gm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 2 semitones up
The song's harmonic story
The opening Gm lays a solid floor for everything that follows. The chords that keep coming back are Gm, Cm, F, Bb; read them as vi–ii–V–I in Bb or i–iv–VII–III in Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → Gm (V → vi in Bb, VII → i in Gm): Aeolian arrival — rises a whole tone into home. It closes on Gm, letting the Gm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Grup Yorum - Sevda Türküsü Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Adnan Yücel
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