Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Selin - Yanılır Gibi Mabel Matiz - Chord
Key G major – E minor Chords C, Bm7, Am7, D Difficulty already in its easiest key
No ratings yet
or your user informations
Make it yours
Text size
Key: G | Em
Capo: 0
C Bm7 Bm7 Am7 C Bm7 Bm7 Am7
C
Gördüm bir sabah
Bm7
Güneşi başka türlü, gözlerinde
D
Gülmüyordun
C
Sanki çekilirken dünya
Bm7
Ayaklarımın altından
D
Bilmiyordum
C
Ve ben kayıp düşerken
D Am7 C
O beyaz ellerinden, günler karardı bak
D
Yerine koydum bi’ yaslı gölge
Am7
Hani anıların solduğu yerde
C Bm7
Bir kez daha vurulduk, ah!
C Bm7
Kalamam senle burda artık bu son perde
Am7
Yapamam giderim yanılır gibi sevmektense
C Bm7
Ne çıkar kırıyo’sa öğrendim kendimi aşkla
Am7
Temize çekilir inan her kalp kendisiyle
C D Bm7 Am7 C D Bm7 Am7
oooooo
C
Gönlüm, kendi rüzgarında üşüyen
Bm7
Yamalı bir hırka
D C
Şimdi, olsun
Bm7
O kumdan kaleyi ben ellerimle yapmıştım
D
Yıktım gitti
Am7
Ve sen kopup giderken
D
Aklımın iplerinden
Am7 C
Günler karardı bak
D
Yerine koydum bi’ yaslı gölge
Am7
Hani anıların solduğu yerde
Bm7
Bir kez daha vurulduk, ah!
C Bm7
Kalamam senle burda artık bu son perde
Am7
Yapamam giderim yanılır gibi sevmektense
C Bm7
Ne çıkar kırıyo’sa öğrendim kendimi aşkla
Am7
Temize çekilir inan her kalp kendisiyle
End of song Play again?
Selin - Yanılır Gibi Mabel Matiz Tabs
NotesX
Harmony analysis
Selin – Yanılır Gibi Mabel Matiz: key and chord analysis
The song opens on C and ends on Am7. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between G major and E minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii7 | Am7 | Supertonic — prepares the dominant | A · C · E · G | 13× |
| iii7 | Bm7 | Mediant — a tonic-family shade | B · D · F# · A | 16× |
| III | B | Chromatic colour chordoutside the key | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 16× |
| V | D | Dominant — strongest pull home | D · F# · A | 10× |
| vi | Em | Relative minor — the melancholy side | E · G · B | — |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | — |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv7 | Am7 | Subdominant — moves away from home | A · C · E · G | 13× |
| v7 | Bm7 | Minor dominant — soft pull | B · D · F# · A | 16× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 16× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 10× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 4 different chords appear 55 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- C D GIV → VIV → V EmVI → VIIVI → VII ×5
- Am7 D Gii7 → Vii → V Emiv7 → VII ×1
The move to watch is C → D, heard 5 times. From the G side it reads IV → V (IV → V: the lift that builds tension before home); from the Em side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Bm7, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The first chord is C; the ear learns where home is within a second. The chords that keep coming back are C, Bm7, Am7, D; read them as IV–iii7–ii7–V in G or VI–v7–iv7–VII in Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → D (IV → V in G, VI → VII in Em): IV → V — the lift that builds tension before home. The final chord is Am7; the ear comes to rest in G.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Selin - Yanılır Gibi Mabel Matiz Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Mabel MatizMusic: Mabel Matiz
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.