Major view
E major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D# (leading tone, pulls home)
- 4 = A (the note that leans on the 3rd)
Rıza Tamer - Adam Olmaz - Chord
Key E major – C# minor Chords C#m7, G#m7, F#m7, B7, B, A7, F#m7/F Easy key C (capo 4)
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Key: E | Dbm | C#m
Capo: 0
C#m7
Herşeyin olsa ne
Ben yokken senin filminde
G#m7
Senaryolar hep aynı
Kulağına çalınmıştır
F#m7
Duydun mu bi yerlerden
C#m7
Toprağın altında herkes eşit herkes aynı
C#m7
İkimizede yeterdi benim aşkım
F#m7 F#m7 F#m7/F G#m7
Üç kuruşa kendinden geçtin
F#m7
Bilirdik kıymetini kadrini
C#m7
Yalan yere yemin içmeseydin
B7 G#m7
Döner ha bu gün ha yarın derken
C#m7
Atı alan üsküdarı geçti
C#m7
Bari kavuştun mu bekleyen kollara
G#m7
Beni hazırladın o hazin sonlara
F#m7
Hiç utanmadın mı, bi yüzünün rengide mi solmaz
Beni düşürüp gittin o bozuk yollara
G#m7
Unutulanlara ne bi karanlık sokaklara
B C#m7 B7 A7 C#m7
Sorsaydın bilirdin benden daha niye adam olmaz
C#m7
Bari kavuştun mu bekleyen kollara
G#m7
Beni hazırladın o hazin sonlara
F#m7
Hiç utanmadın mı, bi yüzünün rengide mi solmaz
Beni düşürüp gittin o bozuk yollara
G#m7
Unutulanlara ne bi karanlık sokaklara
B C#m7 B7 A7 C#m7
Sorsaydın bilirdin benden daha niye adam olmaz
End of song Play again?
Rıza Tamer - Adam Olmaz Tabs
NotesX
Harmony analysis
Rıza Tamer – Adam Olmaz: key and chord analysis
The song opens on C#m7 and ends on C#m7. Its chords belong to both E major and C#m, so every chord below is read both ways.
Minor view
C# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = A (the minor's melancholy)
- b7 = B (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C# minor side because it both starts and finishes on C#m and C#m is heard 11 times while E never appears. That is an interpretation, not a rule — the same chords are just as valid seen from E major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | E | Tonic — home | E · G# · B | — |
| ii7 | F#m7 | Supertonic — prepares the dominant | F# · A · C# · E | 6× |
| ii7 | F#m7/F | Supertonic — prepares the dominant | F# · A · C# · E | 1× |
| iii7 | G#m7 | Mediant — a tonic-family shade | G# · B · D# · F# | 7× |
| V/vi | G# | Secondary dominant V/vi — leads to C#msecondary dominant | G# · B# · D# | — |
| IV7 | A7 | Chromatic colour chordoutside the key | A · C# · E · G | 2× |
| V7 | B7 | Dominant — strongest pull home | B · D# · F# · A | 3× |
| V | B | Dominant — strongest pull home | B · D# · F# | 2× |
| vi7 | C#m7 | Relative minor — the melancholy side | C# · E · G# · B | 11× |
| vii° | D#dim | Leading-tone chord — tension | D# · F# · A | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | C#m7 | Tonic — home | C# · E · G# · B | 11× |
| ii° | D#dim | Supertonic — prepares the dominant | D# · F# · A | — |
| III | E | Relative major — the bright side | E · G# · B | — |
| iv7 | F#m7 | Subdominant — moves away from home | F# · A · C# · E | 6× |
| iv7 | F#m7/F | Subdominant — moves away from home | F# · A · C# · E | 1× |
| v7 | G#m7 | Minor dominant — soft pull | G# · B · D# · F# | 7× |
| V | G# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G# · B# · D# | — |
| VI7 | A7 | Chromatic colour chordoutside the key | A · C# · E · G | 2× |
| VII7 | B7 | Subtonic — steps back to the tonic | B · D# · F# · A | 3× |
| VII | B | Subtonic — steps back to the tonic | B · D# · F# | 2× |
Analysis
The key pair is E major and its relative C# minor (4 sharps). 7 different chords appear 32 times in total; 6 of them sit naturally inside the shared scale. A7 step outside the scale as colour chords.
Chord movement
- F#m7 C#m7 Eii7 → vi7 C#miv7 → i7minor plagal ×2
- B C#m7 EV → vi7deceptive cadence C#mVII → i7Aeolian arrival ×2
- A7 C#m7 EIV7 → vi7 C#mVI7 → i7VI → i ×2
- G#m7 C#m7 Eiii7 → vi7 C#mv7 → i7natural-minor cadence ×1
The move to watch is F#m7 → C#m7, heard 2 times. From the C#m side it is iv7 → i7 (minor plagal: deep and melancholic); from the E side it reads ii7 → vi7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- E major pentatonic and C# minor pentatonic are the same five notes (E – F# – G# – B – C#): start from E for a brighter phrase, from C# for a bluesier one.
- Over C#m7, land on C#, E, G# — the chord's own tones always sound right on strong beats.
- Over G#m7, land on G#, B, D# — the chord's own tones always sound right on strong beats.
- Over F#m7, land on F#, A, C# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With E major shapes
- No capo — open E shapes
- Capo 2 + D shapes
- Capo 4 + C shapes
With C# minor shapes
- Capo 4 + Am shapes
Easiest keys on guitar
- 4 semitones down · capo 4 keeps the original pitch
- 3 semitones up
The song's harmonic story
Starting on C#m7, the song gives away its key from the very first bar. C#m7, G#m7, F#m7, B7 carry the song: vi7–iii7–ii7–V7 relative to E, i7–v7–iv7–VII7 relative to C#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F#m7 → C#m7 (ii7 → vi7 in E, iv7 → i7 in C#m): minor plagal — deep and melancholic. Ending on C#m7, the song seals C#m as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Rıza Tamer - Adam Olmaz Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Rıza TamerMusic: Rıza Tamer
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