Velet - Roman Olur Yazsam Seni - Chord

Key Gb major – Eb minor Chords Bbm, Db, B Easy key C (capo 6)

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Capo 0

Bbm  Bbm  Db  B

           Bbm                    Db       B
Roman olur yazsam seni, şu semada yıldız gibi
                   Bbm                       Db       B
Gözlerin gözlerime renktir benim, aynı kefen sarsın bizi
              Bbm                   Db      B
Roman olur yazsam bizi, taşıyo' bak defterlerim
                 Bbm                     Db       B
Ellerin ellerime değsin benim, aynı gece sarsın bizi

          Bbm
Kafamdaki sesler beni yorar hepten
           Db                B
İçimde bi' şeyler, boğulurum yekten
          Bbm
İnandığın herkesin gidişini seyret
     Db             B
Bana sen kal, kimse mühim değil
        Bbm
İhaneti sevmem vedalara küsken
          Db                 B
Karışırım rüzgâra, tüm âlemi gez gel
           Bbm
Ruhum sana bağlı uçurumda bazen
    Db           B                bbm
Ama bazen ben de benden kopar gibiyim

Bbm          Db           B             Bbm
Kendimden hâlâ seni kalbinden saran kişiyim
               Db                 B                Bbm
Aşkımdan mübalağam, "Yüce dağları aş" de, uçar gelirim

Bbm
Yine dökülüyo' deftere sitem
      Db                  B
Biraz fazla içtim, kızma, şiirim hediyem sana
Bbm
Yârim saçlarına cenneti sürer
       Db                 B
Ben de nasibimin kokusuna mest olurum sen diye
Bbm
Öyle gözleri var, keskin bi' bıçak
         Db                  B
Bende bi'çok yara birikti de kan akmadı daha
Bbm
Bi' cihan gezdim ama görmedi şu gözlerim
Db              B
Senden özelini, hem de güzelini

           Bbm                    Db       B
Roman olur yazsam seni, baş ucuna koysan beni
                 Bbm                   Db       B
Güneşin doğuşunu izler gibi, karanlığa sorsan beni

         Bbm
Acı bizi bekler, acı bizi besler
         Db               B
Beyazımı boyama, siyahıma renk ver
          Bbm
Bu gecede yek gel, dileğim hep ser
         Db         B
Bana sen kal, kimse mühim değil
        Bbm
İhanete gelmem ben bana küsken
          Db                 B
Karışırım rüzgâra, tüm alemi gez gel
           Bbm
Ruhum sana bağlı uçurumda bazen
    Db           B
Ama bazen ben de benden kopar gibiyim

Bbm          Db           B
Kendimden hâlâ seni kalbinden saran kişiyim
Bbm            Db                 B
Aşkımdan mübalağam, "Yüce dağları aş" de, uçar gelirim

Bbm          Db           B
Kendimden hâlâ seni kalbinden saran kişiyim
Bbm            Db                 B
Aşkımdan mübalağam, "Yüce dağları aş" de, uçar gelirim

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Velet - Roman Olur Yazsam Seni Tabs

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Harmony analysis

Velet – Roman Olur Yazsam Seni: key and chord analysis

The song opens on Bbm and ends on B. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.

Major view

Gb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F (leading tone, pulls home)
4 = Cb (the note that leans on the 3rd)

Minor view

Eb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Cb (the minor's melancholy)
b7 = Db (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Gb major and Eb minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Gb major
Degree	Chord	Role	Notes	In song
I	Gb	Tonic — home	Gb · Bb · Db	—
ii	Abm	Supertonic — prepares the dominant	Ab · Cb · Eb	—
iii	Bbm	Mediant — a tonic-family shade	Bb · Db · F	27×
III	Bb	Chromatic colour chordoutside the key	Bb · D · F	—
IV	B	Subdominant — moves away from home	B · D# · F#	24×
V	Db	Dominant — strongest pull home	Db · F · Ab	24×
vi	Ebm	Relative minor — the melancholy side	Eb · Gb · Bb	—
vii°	Fdim	Leading-tone chord — tension	F · Ab · Cb	—

Seen from Eb minor
Degree	Chord	Role	Notes	In song
i	Ebm	Tonic — home	Eb · Gb · Bb	—
ii°	Fdim	Supertonic — prepares the dominant	F · Ab · Cb	—
III	Gb	Relative major — the bright side	Gb · Bb · Db	—
iv	Abm	Subdominant — moves away from home	Ab · Cb · Eb	—
v	Bbm	Minor dominant — soft pull	Bb · Db · F	27×
V	Bb	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	Bb · D · F	—
VI	B	Submediant — warm colour	B · D# · F#	24×
VII	Db	Subtonic — steps back to the tonic	Db · F · Ab	24×

Analysis

The key pair is Gb major and its relative Eb minor (6 flats). 3 different chords appear 75 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Gb major shapes

Capo 2 + E shapes
Capo 4 + D shapes
Capo 6 + C shapes

With Eb minor shapes

Capo 1 + Dm shapes
Capo 6 + Am shapes

Easiest keys on guitar

6 semitones up · capo 6 keeps the original pitch
1 semitone up

The song's harmonic story

Starting on Bbm, the song gives away its key from the very first bar. The chords that keep coming back are Bbm, Db, B; read them as iii–V–IV in Gb or v–VII–VI in Ebm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is B; the ear comes to rest in Gb.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.