Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Ezginin Günlüğü - Martı - Chord
Key Bb major – G minor Chords F, Gm, Eb, Bb, Dm, Cm Easy key G (capo 3)
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Key: Bb | Gm
Capo: 0
Bb F Gece gündüz bana birdir ah güzelim Eb Gm Çünkü gözlerim hep kördür Bb F Kanatsız kuş olmak zordur ah güzelim Eb Gm Denize varmayan ırmak Bb Gm Dm F Gör beni gör beni gör gel gözüm ol gör beni Eb F Sar beni sar beni sar gökyüzüm ol Bb Gm Dm F Uç beni uç beni uç yavru kuş ol uç beni Eb F Geç beni geç beni geç kanadım ol Gm F Eb Cm Bırak uyusun şu deniz kanatlarımın altında Gm Eb Gm F Gel gezmelere gidelim biz bulutların asfaltında Gm F Eb Cm Hiç yaşamamışız gibi olacak sonunda Gm Eb Gm F Ben kendi yoluma gideceğim güneş kendi yoluna Bb Gm Dm F Gör beni gör beni gör gel gözüm ol gör beni Eb F Sar beni sar beni sar gökyüzüm ol Bb Gm Dm F Uç beni uç beni uç yavru kuş ol uç beni Eb F Geç beni geç beni geç kanadım ol Bb F Takıldım gittim peşinden ah güzelim Eb Gm Bir gemiydi benim sevdiğim Bb F Yelkeninde bir beyaz gül ah güzelim Eb Gm Dumanında sevda sözleri Gm F Eb Cm Bırak uyusun şu deniz kanatlarımın altında Gm Eb Gm F Gel gezmelere gidelim biz bulutların asfaltında Gm F Eb Cm Hiç yaşamamışız gibi olacak sonunda Gm Eb Gm F Ben kendi yoluma gideceğim güneş kendi yoluna Bb Gm Dm F Gör beni gör beni gör gel gözüm ol gör beni Eb F Sar beni sar beni sar gökyüzüm ol Bb Gm Dm F Uç beni uç beni uç yavru kuş ol uç beni Eb F Geç beni geç beni geç kanadım ol
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Ezginin Günlüğü - Martı Tabs
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Harmony analysis
Ezginin Günlüğü – Martı: key and chord analysis
The song opens on Bb and ends on F. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Bb major and G minor because it opens on Bb and Gm is heard 22 times against 10 for Bb. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | 10× |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 4× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | 6× |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | 18× |
| V | F | Dominant — strongest pull home | F · A · C | 24× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 22× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 22× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | 10× |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 4× |
| v | Dm | Minor dominant — soft pull | D · F · A | 6× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | 18× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 24× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 6 different chords appear 84 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Eb Gm BbIV → vi GmVI → iVI → i ×8
- F Bb BbV → Iauthentic cadence GmVII → III ×6
- Eb F BbIV → VIV → V GmVI → VIIVI → VII ×6
- Cm Gm Bbii → vi Gmiv → iminor plagal ×4
- F Gm BbV → videceptive cadence GmVII → iAeolian arrival ×3
The move to watch is Eb → Gm, heard 8 times. From the Bb side it reads IV → vi; from the Gm side it is VI → i (VI → i: falls a half step into home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 2 semitones up
The song's harmonic story
The first chord is Bb; the ear learns where home is within a second. F, Gm, Eb, Bb carry the song: V–vi–IV–I relative to Bb, VII–i–VI–III relative to Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Eb → Gm (IV → vi in Bb, VI → i in Gm): VI → i — falls a half step into home. It closes on F, letting the Bb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ezginin Günlüğü - Martı Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Hüsnü ArkanMusic: Hüsnü Arkan
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