Major view
B major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A# (leading tone, pulls home)
- 4 = E (the note that leans on the 3rd)
Mehmet Elmas - Kara Gecelere Daldım x Hopera - Chord
Key B major – G# minor Chords Emaj7, D#m Easy key C
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Key: B | Abm | G#m
Capo: 0
Emaj7 D#m Emaj7 D#m
Emaj7
Kara gecelere daldım
D#m Emaj7
Yandım yandım bir sözüne kandım ah
D#m Emaj7
Ama düştüm kollarına oof
Emaj7
Yapayalnız kaldım
D#m Emaj7
Yardım, yardım edemez gayrım ah
D#m
Başarımdan bir başıma
Emaj7
Sen gittin kaldı enkazı
D#m
Yaralarımı sarmam lazım
Emaj7
Kokun derdimin dermanı
D#m
Gel o gönlümün armağanı
Emaj7
Ne hoşçakal ne de mutlu kal
D#m
Ben nasılsam, sen de öyle kal
Emaj7
Suçsuz değiliz ki hiç birimiz
D#m
El ve bağlara sığmaz bu masal
Emaj7
Olamadım derdine derman
D#m
Bu nasıl bir ayrılık, bu nasıl bir hicran
Emaj7
Döne döne dur ama her türlü hüsran
D#m
Olamıyorum sana bir türlü düşman
Emaj7
Kara gecelere daldım
D#m Emaj7
Yandım yandım bir sözüne kandım ah
D#m Emaj7
Ama düştüm kollarına oof
Emaj7
Yapayalnız kaldım
D#m Emaj7
Yardım, yardım edemez gayrım ah
D#m
Başarımdan bir başıma
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Mehmet Elmas - Kara Gecelere Daldım x Hopera Tabs
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Harmony analysis
Mehmet Elmas – Kara Gecelere Daldım x Hopera: key and chord analysis
The song opens on Emaj7 and ends on D#m. Its chords belong to both B major and G#m, so every chord below is read both ways.
Minor view
G# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = E (the minor's melancholy)
- b7 = F# (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between B major and G# minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to B or to G#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | B | Tonic — home | B · D# · F# | — |
| ii | C#m | Supertonic — prepares the dominant | C# · E · G# | — |
| iii | D#m | Mediant — a tonic-family shade | D# · F# · A# | 16× |
| III | D# | Chromatic colour chordoutside the key | D# · G · A# | — |
| IVmaj7 | Emaj7 | Subdominant — moves away from home | E · G# · B · D# | 18× |
| V | F# | Dominant — strongest pull home | F# · A# · C# | — |
| vi | G#m | Relative minor — the melancholy side | G# · B · D# | — |
| vii° | A#dim | Leading-tone chord — tension | A# · C# · E | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | G#m | Tonic — home | G# · B · D# | — |
| ii° | A#dim | Supertonic — prepares the dominant | A# · C# · E | — |
| III | B | Relative major — the bright side | B · D# · F# | — |
| iv | C#m | Subdominant — moves away from home | C# · E · G# | — |
| v | D#m | Minor dominant — soft pull | D# · F# · A# | 16× |
| V | D# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D# · G · A# | — |
| VImaj7 | Emaj7 | Submediant — warm colour | E · G# · B · D# | 18× |
| VII | F# | Subtonic — steps back to the tonic | F# · A# · C# | — |
Analysis
The key pair is B major and its relative G# minor (5 sharps). 2 different chords appear 34 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- B major pentatonic and G# minor pentatonic are the same five notes (B – C# – D# – F# – G#): start from B for a brighter phrase, from G# for a bluesier one.
- Over Emaj7, land on E, G#, B — the chord's own tones always sound right on strong beats.
- Over D#m, land on D#, F#, A# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With B major shapes
- Capo 2 + A shapes
- Capo 4 + G shapes
- Capo 7 + E shapes
With G# minor shapes
- Capo 4 + Em shapes
- Capo 6 + Dm shapes
Easiest keys on guitar
- 1 semitone up
- 4 semitones down · capo 4 keeps the original pitch
The song's harmonic story
The opening Emaj7 lays a solid floor for everything that follows. Emaj7, D#m carry the song: IVmaj7–iii relative to B, VImaj7–v relative to G#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on D#m, the song seals B as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mehmet Elmas - Kara Gecelere Daldım x Hopera Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Hopera, Mehmet ElmasMusic: Hopera, Mehmet ElmasArrangement: İlkan Günüç
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