Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Aysel Yakupoğlu - Gidiyor Eyvah - Chord
Key Ab major – F minor Chords Dbmaj7, Cm7 Easy key C
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Key: Ab | Fm
Capo: 0
Dbmaj7 Cm7 Dbmaj7 Cm7
Dbmaj7
Bitmiyor aklımın kalbe sorgusu
Cm7
Yüreğimi parça parça bölme yâr susup
Dbmaj7
Kendime kurduğum kahpe bir pusu
Cm7 Dbmaj7
Sevdiğimin yüreğinde ölme arzusu
Dbmaj7
Aç kalbine yem olmuşum
Cm7
Sen sevmeyi kusur bilen
Dbmaj7
Azraile sarılmışım
Cm7
Ben bilmeyip Hızır diye
Dbmaj7
Gidiyor eyvah! Tutamadım, ah!
Cm7
Tutamam onu; yollar edepsiz
Dbmaj7 Cm7
İşittiğin ah gider zoruna; dokunma bana
Dbmaj7 Cm7
Kaldım nefessiz, beni yaşatan sözler senetti; ne acı yalan!
Dbmaj7 Cm7
Şimdi yeniden doğmam için ölmem gerekli, dimi?
End of song Play again?
Aysel Yakupoğlu - Gidiyor Eyvah Tabs
NotesX
Harmony analysis
Aysel Yakupoğlu – Gidiyor Eyvah: key and chord analysis
The song opens on Dbmaj7 and ends on Cm7. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Ab major and F minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | — |
| iii7 | Cm7 | Mediant — a tonic-family shade | C · Eb · G · Bb | 10× |
| III | C | Chromatic colour chordoutside the key | C · E · G | — |
| IVmaj7 | Dbmaj7 | Subdominant — moves away from home | Db · F · Ab · C | 11× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | — |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | — |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | — |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | — |
| v7 | Cm7 | Minor dominant — soft pull | C · Eb · G · Bb | 10× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VImaj7 | Dbmaj7 | Submediant — warm colour | Db · F · Ab · C | 11× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | — |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 2 different chords appear 21 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Dbmaj7, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The opening Dbmaj7 lays a solid floor for everything that follows. Dbmaj7, Cm7 carry the song: IVmaj7–iii7 relative to Ab, VImaj7–v7 relative to Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Cm7, letting the Ab side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Aysel Yakupoğlu - Gidiyor Eyvah Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: TekirMusic: TekirArrangement: TKR
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