Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Ellie Goulding - I Need Your Love - Chord
Key Eb major – C minor Chords Cm, Eb, Ab, Bb, G#, D#, A Easy key G
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Key: Eb | Cm
Capo: 0
Cm
I need your love
Ab
I need your time
Eb
When everything's wrong
Bb
You make it right
Cm
I feel so high
Ab
I come alive
Eb Bb
I need to be free with you tonight
Cm
I need your love
Cm Ab
I take a deep breath everytime I pass your door
Eb
I know you're there but I can't see you anymore
Cm Ab
And that's the reason you're in the dark
Eb
I've been a stranger ever since we fell apart
Cm Ab
I feel so helpless here
Eb
Watch my eyes are filled with fear
Cm Ab
Tell me do you feel the same
Eb
Hold me in your arms again
Cm
I need your love
Ab
I need your time
Eb
When everything's wrong
Bb
You make it right
Cm
I feel so high
Ab
I come alive
Eb Bb
I need to be free with you tonight
Cm
I need your love
Cm G# D# A
Cm Cm
Cm Ab
Now I'm dreaming, will ever find you now
Eb
I walk in circles but I'll never figure out
Cm Ab
What I mean to you, do I belong
Eb
I try to fight this but I know I'm not that strong
Cm Ab
And I feel so helplessly
Eb
Watch my eyes are filled with fear
Cm Ab
Tell me do you feel the same
Eb
Hold me in your arms again
Cm
I need your love
Ab
I need your time
Eb
When everything's wrong
Bb
You make it right
Cm
I feel so high
Ab
I come alive
Eb Bb
I need to be free with you tonight
Cm
I need your love
Cm
All the years, all the times
You were never been to blame
Eb
And now my eyes are perfect
And now my heart is closing
Cm
And all the tears
All the lies, all the waste
I've been trying to make it change
Eb
And now my eyes are perfect
Cm
I need your love
Ab
I need your time
Eb
When everything's wrong
Bb
You make it right
Cm
I feel so high
Ab
I come alive
Eb Bb
I need to be free with you tonight
Cm
I need your love
End of song Play again?
Ellie Goulding - I Need Your Love Tabs
NotesX
Harmony analysis
Ellie Goulding – I Need Your Love: key and chord analysis
The song opens on Cm and ends on Cm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it both starts and finishes on Cm and Cm is heard 25 times against 19 for Eb. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | 18× |
| I | D# | Tonic — home | D# · G · A# | 1× |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 16× |
| IV | G# | Subdominant — moves away from home | G# · B# · D# | 1× |
| #IV | A | Chromatic colour chordoutside the key | A · C# · E | 1× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 8× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 25× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 25× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | 18× |
| III | D# | Relative major — the bright side | D# · G · A# | 1× |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 16× |
| VI | G# | Submediant — warm colour | G# · B# · D# | 1× |
| #VI | A | Chromatic colour chordoutside the key | A · C# · E | 1× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 8× |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 7 different chords appear 70 times in total; 6 of them sit naturally inside the shared scale. A step outside the scale as colour chords.
Chord movement
- Ab Eb EbIV → Iplagal cadence CmVI → III ×16
- Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×8
- G# D# EbIV → Iplagal cadence CmVI → III ×1
The move to watch is Ab → Eb, heard 16 times. From the Cm side it is VI → III; from the Eb side it reads IV → I (plagal cadence: the soft 'amen' ending). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The first chord is Cm; the ear learns where home is within a second. Cm, Eb, Ab, Bb carry the song: vi–I–IV–V relative to Eb, i–III–VI–VII relative to Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Eb (IV → I in Eb, VI → III in Cm): plagal cadence — the soft 'amen' ending. Ending on Cm, the song seals Cm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ellie Goulding - I Need Your Love Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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