Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Ziynet Sali - Müptelanım Bilgine - Chord
Key F major – D minor Chords Am, Gm, Dm, Bb, Cm Easy key G
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Key: F | Dm
Capo: 0
Dm Dm Am Gm Bb Cm Gm Bb Dm Dm Gm Aşık oldum ozan oldum Bb Am Mazhar oldun ilgime Dm Gm Cahil idim sezer oldum Bb Am Hastan oldum bilgine Dm Am Sevmelere utanırdım Gm Am Çekinirdim de bakmaya Cm Bb Yanlış yerde çok arandım Gm Am Kader yazdı da dengime Dm Am Karagözlüm derdim amma Gm Am Kahverengiymiş meğer Cm Bb Annem babamsın dedin ya Gm Am Orda kandım her rengine Dm Am Yürüdüm aşkım her yolu Cm Gm Varamadım ellerine Bb Am Anladım her gün yağmurlu Gm Am Dm Ağladım sen sen diyee Dm Am Bu öyle bir hasret ki bu Cm Gm Sanki Tanrımdan hediye Bb Am Senle kavuştum yurduma Gm Gm Sensiz bu hayat neyime Gm Am Uzan da yat ömrüme Dm Dm Am Gm Bb Cm Gm Bb Dm Dm Gm Sen de öyle yaban durma Bb Am Sar sevgini sevgime Dm Gm Hiç aklımdan çıkmıyorsun Bb Am Müptelanım bilgine Dm Am Sevmelere utanırdım Gm Am Çekinirdim de bakmaya Cm Bb Yanlış yerde çok arandım Gm Am Kader yazdı da dengime Dm Am Karagözlüm derdim amma Gm Am Kahverengiymiş meğer Cm Bb Annem babamsın dedin ya Gm Am Orda kandım her rengine Dm Am Yürüdüm aşkım her yolu Cm Gm Varamadım ellerine Bb Am Anladım her gün yağmurlu Gm Am Dm Ağladım sen sen diyee Dm Am Bu öyle bir hasret ki bu Cm Gm Sanki Tanrımdan hediye Bb Am Senle kavuştum yurduma Gm Gm Sensiz bu hayat neyime Gm Am Uzan da yat ömrüme
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Ziynet Sali - Müptelanım Bilgine Tabs
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Harmony analysis
Ziynet Sali – Müptelanım Bilgine: key and chord analysis
The song opens on Dm and ends on Am. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it opens on Dm and Dm is heard 20 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 28× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 30× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 16× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| v | Cm | Chromatic colour chordoutside the key | C · Eb · G | 10× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 20× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 20× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 28× |
| v | Am | Minor dominant — soft pull | A · C · E | 30× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 16× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
| vii | Cm | Chromatic colour chordoutside the key | C · Eb · G | 10× |
Analysis
The key pair is F major and its relative D minor (1 flat). 5 different chords appear 104 times in total; 4 of them sit naturally inside the shared scale. Cm step outside the scale as colour chords.
Chord movement
- Am Dm Fiii → vi Dmv → inatural-minor cadence ×11
- Bb Dm FIV → vi DmVI → iVI → i ×2
The move to watch is Am → Dm, heard 11 times. From the Dm side it is v → i (natural-minor cadence: gentle, modal arrival); from the F side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 2 semitones up
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
Starting on Dm, the song gives away its key from the very first bar. The chords that keep coming back are Am, Gm, Dm, Bb; read them as iii–ii–vi–IV in F or v–iv–i–VI in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am → Dm (iii → vi in F, v → i in Dm): natural-minor cadence — gentle, modal arrival. It closes on Am, letting the F side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ziynet Sali - Müptelanım Bilgine Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Mabel MatizMusic: Mabel MatizArrangement: Zafer Tunç Resuloğlu
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