Paptircem - Kaybettim Yirmilerimde - Chord

Key Ab major – F minor Chords Eb, Fm, Db, Ab, Bbm, Cm, Cm7 Easy key G (capo 1)

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Capo 0

Fm    Eb            Ab       Db
Dünya adil bi yer değil, anladım
Fm       Eb           Ab         Db
Yenildim her gün oysa hiç savaşmadım
Fm    Eb               Ab       Db
Geçti yıllar ben hep aynı güne uyandım
Fm       Eb            Db
Ah nasıl bu yaşımda yaşlandım

Fm   Ab        Db     Eb
Bir umut vardı içimde
Fm    Ab       Db      Eb
Kaybettim yirmilerimde
Fm      Ab         Db       Eb
Her şey ne güzel diyeceğime
Fm    Ab       Db      Eb
Kayboldum yirmilerimde

Fm       Eb                Ab             Db
Farkında değilken hiçbir şeyin, iyiydim öyle
Fm     Eb               Ab            Db
Yaptım yıktım tekrar tekrar, kumdan kale
  Fm        Eb            Ab         Db
Neden biter tüm ninniler uyu, büyü diye
  Fm         Eb              Db
Hevesli mi insan yavaşça ölmeye

Fm   Ab        Db     Eb
Bir umut vardı içimde
Fm    Ab       Db      Eb
Kaybettim yirmilerimde
Fm      Ab         Db       Eb
Her şey ne güzel diyeceğime
Fm    Ab       Db      Eb
Kayboldum yirmilerimde

Bbm   Eb        Fm        Cm
En güzel yaşlarımı (Kaybettim yirmilerimde)
  Bbm      Eb         Fm        Cm
Gülüşlerimi gözyaşlarımı (Kaybettim yirmilerimde) 
Bbm       Eb           Fm        Cm
Dostlarımı, ilk aşklarımı (Kaybettim yirmilerimde)
Bbm       Cm7        Db  Eb
Unuttum niye yaşadığımı

Fm   Ab        Db     Eb
Bir umut vardı içimde
Fm    Ab       Db      Eb
Kaybettim yirmilerimde
Fm      Ab         Db       Eb
Her şey ne güzel diyeceğime
Fm    Ab       Db      Eb
Kayboldum yirmilerimde

Fm       Eb                Ab             Db
Farkında değilken hiçbir şeyin, iyiydim öyle
Fm     Eb               Ab            Db
Yaptım yıktım tekrar tekrar, kumdan kale
  Fm        Eb            Ab         Db
Neden biter tüm ninniler uyu, büyü diye
  Fm         Eb              Db
Hevesli mi insan yavaşça ölmeye

End of song Play again?

Paptircem - Kaybettim Yirmilerimde Tabs

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Harmony analysis

Paptircem – Kaybettim Yirmilerimde: key and chord analysis

The song opens on Fm and ends on Db. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because it opens on Fm and Fm is heard 27 times against 21 for Ab. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	21×
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	4×
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	3×
iii7	Cm7	Mediant — a tonic-family shade	C · Eb · G · Bb	1×
V/vi	C	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	25×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	28×
vi	Fm	Relative minor — the melancholy side	F · Ab · C	27×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	27×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	21×
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	4×
v	Cm	Minor dominant — soft pull	C · Eb · G	3×
v7	Cm7	Minor dominant — soft pull	C · Eb · G · Bb	1×
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	25×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	28×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 7 different chords appear 109 times in total; 7 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×15
Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×13
Db Fm AbIV → vi FmVI → iVI → i ×11
Eb Ab AbV → Iauthentic cadence FmVII → III ×9
Bbm Eb Abii → Vii → V Fmiv → VII ×3

The move to watch is Eb → Fm, heard 15 times. From the Fm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Ab side it reads V → vi (deceptive cadence: expected Ab, lands on Fm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
4 semitones up

The song's harmonic story

The opening Fm lays a solid floor for everything that follows. The chords that keep coming back are Eb, Fm, Db, Ab; read them as V–vi–IV–I in Ab or VII–i–VI–III in Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Eb → Fm (V → vi in Ab, VII → i in Fm): Aeolian arrival — rises a whole tone into home. Ending on Db, the song seals Ab as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.