Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Ayaz Erdoğan - Desene Günaydın - Chord
Key F major – D minor Chords Am, Bbmaj7, Gm Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Am Bbmaj7 Gm Am
Am Bbmaj7
Sormadın, neyin var neyin yok
Gm Am
İkimiz şimdi düşman mı olduk
Am Bbmaj7
Her yanım acıyor, her yanım sen korkarken
Gm Am
Nasılda kolay unutuluyor
Am Bbmaj7 Gm Am
Am
Nasılım diye sorma, gönlüm hep sana dargın
Bbmaj7
Almadın beni kaale
Gm
Sözünü tutamadın, ardında yaralayıp
Am
Gidicem hangi yöne
Am
Bi yanım olsaydın, niye hep yok saydın
Bbmaj7
Sen değil misin çarem
Gm
Bi sana yandım ölüp
Am
Döndüm çöle
Am Bbmaj7
Dur, yanımda kal artık
Gm
Bi başıma yandım
Am
Ölüyorum anla
Am Bbmaj7
Kal, desene günaydın
Gm
Bi başıma uyandım
Am
Ölüyorum anla
Am Bbmaj7
Senden sonra her günüm, birer birer heba oldu
Gm Am
Geri gelir mi yıllarım
Am Bbmaj7
Kapına kadarda geldim ben elimde bir hediye
Gm
Bi başkası için yakma beni
Am
Dönücem deliye
Am
Sustum anlatmadım kimseye
Bbmaj7
Kötü bilmesinler
Gm Am
Sende kalsın ayıpların gelene
O sevmedi de
Am Bbmaj7
Dur, yanımda kal artık
Gm
Bi başıma yandım
Am
Ölüyorum anla
Am Bbmaj7
Kal, desene günaydın
Gm
Bi başıma uyandım
Am
Ölüyorum anla
End of song Play again?
Ayaz Erdoğan - Desene Günaydın Tabs
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Harmony analysis
Ayaz Erdoğan – Desene Günaydın: key and chord analysis
The song opens on Am and ends on Am. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between F major and D minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 13× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 26× |
| III | A | Chromatic colour chordoutside the key | A · C# · E | — |
| IVmaj7 | Bbmaj7 | Subdominant — moves away from home | Bb · D · F · A | 13× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi | Dm | Relative minor — the melancholy side | D · F · A | — |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | — |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 13× |
| v | Am | Minor dominant — soft pull | A · C · E | 26× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VImaj7 | Bbmaj7 | Submediant — warm colour | Bb · D · F · A | 13× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 3 different chords appear 52 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Bbmaj7, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
The opening Am lays a solid floor for everything that follows. The backbone is Am, Bbmaj7, Gm — iii–IVmaj7–ii from the F side, v–VImaj7–iv from the Dm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is Am; the ear comes to rest in F.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ayaz Erdoğan - Desene Günaydın Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ayaz ErdoğanMusic: Ayaz ErdoğanArrangement: Ayaz Erdoğan
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