Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Key C major – A minor Chords C, G, Am, F Easy key G (capo 5)
Am C G F
Am C
Baby, baby when we first met
G F
I never felt something so strong
Am C
You were like my lover and my best friend
G F
All wrapped into one with a ribbon on it
Am C
And all of a sudden you went and left
G F
I didn't know how to follow
Am
It's like a shock that spun me around
C
And now my heart's dead
G F
I feel so empty and hollow
Am C
And I'll never give myself to another
C
The way I gave it to you
G F
Don't even recognize
The ways you hurt me, do you
Am C
It's gonna take a miracle to bring me back
G F
And you're the one to blame
Am
And now I feel like, oh
C
You're the reason why I'm thinking
G F
I don't wanna smoke on these cigarettes no more
Am C
I guess that's what I get for wishful thinking
G F
Should've never let you enter my door
Am C G
Next time you wanna go on and leave
F
I should just let you go on and do it
Am C G
Cause now I'm using like I bleed
F Am
It's like I checked into rehab
C G
Baby you're my disease
F Am
It's like I checked into rehab
C G
Baby you're my disease
F Am
I gotta check into rehab
C G
'Cause baby you're my disease
F Am
I gotta check into rehab
C G
'Cause baby you're my disease
Am C G
Damn, ain't it crazy when you're loveswept
F
You'll do anything for the one you love
Am C
'Cause anytime that you needed me I'd be there
G F
It's like you were my favorite drug
Am C
The only problem is that you was using me
G F
In a different way that I was using you
Am C
But now that I know that it's not meant to be
G G
You gotta go, I gotta wean myself off of you
Am C
And I'll never give myself to another
C
The way I gave it to you
G F
Don't even recognize
The ways you hurt me, do you
Am C
It's gonna take a miracle to bring me back
G F
And you're the one to blame
Am
And now I feel like, oh
C
You're the reason why I'm thinking
G F
I don't wanna smoke on these cigarettes no more
Am C
I guess that's what I get for wishful thinking
G F
Should've never let you enter my door
Am C G
Next time you wanna go on and leave
F
I should just let you go on and do it
Am C G
Cause now I'm using like I bleed
F Am
It's like I checked into rehab
C G
Baby you're my disease
F Am
It's like I checked into rehab
C G
Baby you're my disease
F Am
I gotta check into rehab
C G
'Cause baby you're my disease
F Am
I gotta check into rehab
C G
'Cause baby you're my disease
End of song Play again?
Harmony analysis
The song opens on Am and ends on G. Its chords belong to both C major and Am, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor because it opens on Am and C is heard 31 times against 29 for Am. Try reading the chords both ways and see which feels more like home to you.
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | 31× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | — |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | 26× |
| V | G | Dominant — strongest pull home | G · B · D | 30× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 29× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 29× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | 31× |
| iv | Dm | Subdominant — moves away from home | D · F · A | — |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | 26× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 30× |
The key pair is C major and its relative A minor (no sharps or flats). 4 different chords appear 116 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is F → Am, heard 26 times. From the C side it reads IV → vi; from the Am side it is VI → i (VI → i: falls a half step into home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The opening Am lays a solid floor for everything that follows. The backbone is C, G, Am, F — I–V–vi–IV from the C side, III–VII–i–VI from the Am side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → Am (IV → vi in C, VI → i in Am): VI → i — falls a half step into home. The final chord is G; the ear comes to rest in C.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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