Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Key C major – A minor Chords Am, G, Em, F Difficulty already in its easiest key
Am G Em F
Am G Em F
I've been walking in the same way as I did
Am G
Missing out the cracks in the pavement
Em F
And tutting my heel and strutting my feet
Am G Em F
"Is there anything I can do for you dear? Is there anyone I can call?"
Am G Em F
"No and thank you, please Madam. I ain't lost, just wandering"
Am G
Round my hometown
Em F
Memories are fresh
Am G
Round my hometown
Em F
Ooh the people I've met
Am G
Are the wonders of my world
Em F
Are the wonders of my world
Am G
Are the wonders of this world
Em F
Are the wonders of my world
Am G Em F
I like it in the city when the air is so thick and opaque
Am G Em F
I love to see everybody in short skirts, shorts and shades
Am G Em F
I like it in the city when two worlds collide
Am G
You get the people and the government
Em F
Everybody taking different sides
Am G
Shows that we ain't gonna stand shit
Em
Shows that we are united
F
Shows that we ain't gonna take it
Am G
Shows that we ain't gonna stand shit
Em F
Shows that we are united
Am G
Round my hometown
Em F
Memories are fresh
Am G
Round my hometown
Em F
Ooh the people I've met
Am G
Are the wonders of my world
Em F
Are the wonders of my world
Am G
Are the wonders of this world
Em F
Are the wonders of my world
End of song Play again?
Harmony analysis
The song opens on Am and ends on F. Its chords belong to both C major and Am, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it opens on Am and Am is heard 19 times while C never appears. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | — |
| iii | Em | Mediant — a tonic-family shade | E · G · B | 19× |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | 19× |
| V | G | Dominant — strongest pull home | G · B · D | 19× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 19× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 19× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | — |
| iv | Dm | Subdominant — moves away from home | D · F · A | — |
| v | Em | Minor dominant — soft pull | E · G · B | 19× |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | 19× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 19× |
The key pair is C major and its relative A minor (no sharps or flats). 4 different chords appear 76 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is F → Am, heard 18 times. From the Am side it is VI → i (VI → i: falls a half step into home); from the C side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The song is already written in its easiest key for guitar.
The opening Am lays a solid floor for everything that follows. The backbone is Am, G, Em, F — vi–V–iii–IV from the C side, i–VII–v–VI from the Am side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → Am (IV → vi in C, VI → i in Am): VI → i — falls a half step into home. It closes on F, letting the C side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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