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Taylor Swift - Betty - Chord

Key C major – A minor Chords G, Am, F, C, C/B, G4, A, D … Easy key G (capo 5)

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Capo 0
C  C/B  Am  G4  F  G4

C        C/B             Am
  Betty, I won’t make assumptions
        G4                   F
About why you switched your homeroom
                           G4
But I think it’s cause of me
C        C/B             Am
  Betty, one time I was riding
        G4               F
On my skateboard when I passed your house
                       G4
It’s like I couldn’t breathe

C                C/B          Am
  You heard the rumors from Inez
             G4               F
You can’t believe a word she says most times
                       G4
But this time it was true
     Am           G    C     F
The worst thing that I ever did
      Am    G      F  G
Was what I did to you

                C                C/B
But if I just showed up at your party
           Am                 G
Would you have me? Would you want me
           F             Am
Would you tell me to go fuck myself
    G
Or lead me to the garden
        C                 C/B
In the garden would you trust me
      Am              G              F
If I told you it was just a summer thing
          Am           G
I’m only seventeen, I don’t know anything
              C
But I know I miss you

C        C/B             Am
  Betty, I know where it all went wrong
      G                  F
Your favorite song was playing
                          G
From the far side of the gym
C        C/B           Am
  I was nowhere to be found
             G
I hate the crowds you know that
F                            G
  Plus I saw you dance with him

C                C/B          Am
  You heard the rumors from Inez
             G4               F
You can’t believe a word she says most times
                       G4
But this time it was true
     Am           G    C     F
The worst thing that I ever did
      Am    G      F  G
Was what I did to you

                C                C/B
But if I just showed up at your party
           Am                 G
Would you have me? Would you want me
           F             Am
Would you tell me to go fuck myself
    G
Or lead me to the garden
        C                 C/B
In the garden would you trust me
      Am              G              F
If I told you it was just a summer thing
          Am           G
I’m only seventeen, I don’t know anything
              C
But I know I miss you

Am                         G
   I was walking home on broken cobblestones
              F
Just thinking of you when she pulled up
        G
Like a figment of my worst intentions
  Am                            G
She said, "James get in let’s drive." Those days
             F
Turned into nights, slept next to her
    G                             C
But   I dreamt of you all summer long

C        C/B               Am
  Betty, I’m here on your doorstep
        G4                F
And I planned it out for weeks now
                         G4
But it’s finally sinking in
C         C/B              Am
  Betty, right now is the last time
        G4              F
I can dream about what happens when
                  G4
You see my face again
    Am     G      C       F
The only thing I wanna do
    Am     G      F  G
Is make it up to you

       C                C/B  Am G  F  Em  G
So I showed up at your party
          C                C/B 
Yeah, I showed up at your party

          D                D/C#
Yeah, I showed up at your party
          Bm               A
Will you have me will you love me
          G              Gbm
Will you kiss me on the porch
            Em                A
In front of all your stupid friends
        D                D/C#
If you kiss me, will it be
              Bm
Just like I dreamed it
         A                 G
Will it patch your broken wings
          Gbm          Em             A
I’m only seventeen, I don’t know anything
              D       A  G
But I know I miss you

G2              D         A  G
   Standing in your cardigan
G2             D       A   G
   Kissing in my car again

Stopped at a streetlight
             D       D/F#  G
You know, I miss you

End of song Play again?

Taylor Swift - Betty Tabs

NotesX

Harmony analysis

Taylor Swift – Betty: key and chord analysis

The song opens on C and ends on G. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = B (leading tone, pulls home)
  • 4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = F (the minor's melancholy)
  • b7 = G (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C major side because it opens on C and C is heard 36 times against 26 for Am. That is an interpretation, not a rule — hearing the same chords from A minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree Chord Role Notes In song
I C Tonic — home C · E · G 21×
I C/B Tonic — home C · E · G 15×
ii Dm Supertonic — prepares the dominant D · F · A —
V/V D Secondary dominant V/V — leads to Gsecondary dominant D · F# · A 6×
V/V D/C# Secondary dominant V/V — leads to Gsecondary dominant D · F# · A 2×
V/V D/F# Secondary dominant V/V — leads to Gsecondary dominant D · F# · A 1×
iii Em Mediant — a tonic-family shade E · G · B 3×
V/vi E Secondary dominant V/vi — leads to Amsecondary dominant E · G# · B —
IV F Subdominant — moves away from home F · A · C 22×
#iv Gbm Chromatic colour chordoutside the key Gb · A · Db 2×
V G Dominant — strongest pull home G · B · D 33×
V G4 Dominant — strongest pull home G · B · D 14×
Vsus2 G2 Dominant — strongest pull home G · A · D 2×
vi Am Relative minor — the melancholy side A · C · E 26×
V/ii A Secondary dominant V/ii — leads to Dmsecondary dominant A · C# · E 7×
vii° Bdim Leading-tone chord — tension B · D · F —
vii Bm Chromatic colour chordoutside the key B · D · F# 2×
Seen from A minor
Degree Chord Role Notes In song
i Am Tonic — home A · C · E 26×
V/iv A Secondary dominant V/iv — leads to Dmsecondary dominant A · C# · E 7×
ii° Bdim Supertonic — prepares the dominant B · D · F —
ii Bm Chromatic colour chordoutside the key B · D · F# 2×
III C Relative major — the bright side C · E · G 21×
III C/B Relative major — the bright side C · E · G 15×
iv Dm Subdominant — moves away from home D · F · A —
IV D Major IV — Dorian / melodic-minor colourmodal colour D · F# · A 6×
IV D/C# Major IV — Dorian / melodic-minor colourmodal colour D · F# · A 2×
IV D/F# Major IV — Dorian / melodic-minor colourmodal colour D · F# · A 1×
v Em Minor dominant — soft pull E · G · B 3×
V E Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor E · G# · B —
VI F Submediant — warm colour F · A · C 22×
#vi Gbm Chromatic colour chordoutside the key Gb · A · Db 2×
VII G Subtonic — steps back to the tonic G · B · D 33×
VII G4 Subtonic — steps back to the tonic G · B · D 14×
VIIsus2 G2 Subtonic — steps back to the tonic G · A · D 2×

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 14 different chords appear 156 times in total; 8 of them sit naturally inside the shared scale. A, D, D/C#, D/F# act as secondary dominants, briefly pointing at another chord of the key.

Chord movement

  1. G C CV → Iauthentic cadence AmVII → III ×14
  2. F G4 CIV → VIV → V AmVI → VIIVI → VII ×7
  3. F Am CIV → vi AmVI → iVI → i ×7
  4. F G CIV → VIV → V AmVI → VIIVI → VII ×7
  5. G4 C CV → Iauthentic cadence AmVII → III ×4
  6. G4 Am CV → videceptive cadence AmVII → iAeolian arrival ×3

The move to watch is G → C, heard 14 times. From the C side it reads V → I (authentic cadence: the strongest arrival home); from the Am side it is VII → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
  • Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
  • Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
  • Over F, land on F, A, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With C major shapes

    • No capo — open C shapes
    • Capo 3 + A shapes
    • Capo 5 + G shapes

    With A minor shapes

    • No capo — open Am shapes
    • Capo 5 + Em shapes
    • Capo 7 + Dm shapes

    Easiest keys on guitar

    • 5 semitones down · capo 5 keeps the original pitch

    The song's harmonic story

    The first chord is C; the ear learns where home is within a second. The backbone is G, Am, F, C — V–vi–IV–I from the C side, VII–i–VI–III from the Am side. A adds a moment of surprise: secondary dominant V/ii — leads to Dm. Keep an ear on G → C (V → I in C, VII → III in Am): authentic cadence — the strongest arrival home. It closes on G, letting the C side have the last word.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Taylor Swift - Betty Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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