Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Sıla Şahin - Hayatın Kollarında Samet Kardeşler - Chord
Key Bb major – G minor Chords Eb, Dm7 Easy key C
No ratings yet
or your user informations
Make it yours
Text size
Key: Bb | Gm
Capo: 0
Eb Dm7 Eb Dm7
Eb
O yana bu yana savruldum hayatın kollarında
Dm7
Biride gelip elimi tutsun bana nasıl olduğumu bi sorsun
Eb
Bırakıp gidemem ama bak hiç kimsede kalmadı yanımda
Dm7
Zaman hadi alacağı alsın zaten yollarında meftun kaldım
Eb
Yüksek irtifa benimkisi, uzun sürdü yerlere düşmem
Dm7
Umutlanmak en zehirlisi, inancını kaybetmişken
Eb
Yarin kalmadı iradesi, yarı yoldan hep dönmüşken
Dm7
Anlattığı çocuk hikayesi, z bulmuşken
Eb
Ooooo OoOooo, beni salmayan panik ataklar
Dm7
OoOooo OoOooo, bu kadarına gönlüm dayanmaz
Eb
OoOooo OoOooo, artık hiç bişey avutmaz
Dm7
Ooooo ooooo, böyle olmaz
Eb
Gör halimi hak mı mazinin, yaptıkları? kim bu failin
Dm7
Mutluluk mu bende talibim, çok güvenme hayat katilim
Eb
Adını koyduğum kör bu talihin, önemi var mı sence direnmenin
Dm7
Hiç umut yok, yok bi çareyim, yaşadım herşeyi kaldı mahşerim
Eb
O yana bu yana savruldum hayatın kollarında
Dm7
Biride gelip elimi tutsun bana nasıl olduğumu bi sorsun
Eb
Bırakıp gidemem ama bak hiç kimsede kalmadı yanımda
Dm7
Zaman hadi alacağı alsın zaten yollarında meftun kaldım
Eb
O yana bu yana savruldum hayatın kollarında
Dm7
Biride gelip elimi tutsun bana nasıl olduğumu bi sorsun
Eb
Bırakıp gidemem ama bak hiç kimsede kalmadı yanımda
Dm7
Zaman hadi alacağı alsın zaten yollarında meftun kaldım
Eb
Ooooo OoOooo, beni salmayan panik ataklar
Dm7
OoOooo OoOooo, bu kadarına gönlüm dayanmaz
Eb
OoOooo OoOooo, artık hiç bişey avutmaz
Dm7
Ooooo ooooo, böyle olmaz
End of song Play again?
Sıla Şahin - Hayatın Kollarında Samet Kardeşler Tabs
NotesX
Harmony analysis
Sıla Şahin – Hayatın Kollarında Samet Kardeşler: key and chord analysis
The song opens on Eb and ends on Dm7. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Bb major and G minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | — |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | — |
| iii7 | Dm7 | Mediant — a tonic-family shade | D · F · A · C | 16× |
| III | D | Chromatic colour chordoutside the key | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | 16× |
| V | F | Dominant — strongest pull home | F · A · C | — |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | — |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | — |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | — |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | — |
| v7 | Dm7 | Minor dominant — soft pull | D · F · A · C | 16× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | 16× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | — |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 2 different chords appear 32 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
Starting on Eb, the song gives away its key from the very first bar. The chords that keep coming back are Eb, Dm7; read them as IV–iii7 in Bb or VI–v7 in Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is Dm7; the ear comes to rest in Bb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sıla Şahin - Hayatın Kollarında Samet Kardeşler Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Samet Kardeşler - Sıla ŞahinMusic: Samet Kardeşler - Sıla ŞahinArrangement: Denizkan Boz
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.