Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Ebru Yaşar - Anılara Dalarız Burak Bulut Kurtuluş Kuş - Chord
Key G major – E minor Chords Am, Em, Bm, D Easy key C (capo 7)
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Key: G | Em
Capo: 0
Em
Kurak toprağa döndü bu gülüşün
Benden sonra kalbinin acısı gibi
Bm
Yüreği buruksa yok bunun dönüşü
Em Am
İlk olmadı ama bu son ölüşüm
Am
Baktık olmadı mahşere dönüşürüz
Bm
İşte o zaman orda görüşürüz
Belki seninle bu son gülüşümüz
Am D Em
Aşkın külfeti nefrete dönüşür
Em
Anılara dalarız belki belki
Bm
Neye yararız derdi derdi bana
Kim gerçek sevdi sevdi
Am
Dünya derdi bitmiyor derdi anam
Am
Kimi seveyim bu denli denli?
Acılar bize hayır mı şer mi?
Bm
Dayanacak gücüm kalmadı belli
Am Em
Oynanan oyuna itirazım var anam
Em
Gidince geçmiş anılar konuşulur
Gaflete düşme aşkın koru duruşunu
Bm
Dikenli yollara belki de alışılır
Em Am
Ama bozamam ben aşkın orucunu
Am
Işıkları parlar kalbinin karakolunun
Bm
Gözlerin yanar ömrümün taşeronunun
Belki dünyanın özlem sorununu
Am D Em
Aşar kalbim atarız tohumunu
Em
Anılara dalarız belki belki
Bm
Neye yararız derdi derdi bana
Kim gerçek sevdi sevdi
Am
Dünya derdi bitmiyor derdi anam
Am
Kimi seveyim bu denli denli?
Acılar bize hayır mı şer mi?
Bm
Dayanacak gücüm kalmadı belli
Am Em
Oynanan oyuna itirazım var anam
End of song Play again?
Ebru Yaşar - Anılara Dalarız Burak Bulut Kurtuluş Kuş Tabs
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Harmony analysis
Ebru Yaşar – Anılara Dalarız Burak Bulut Kurtuluş Kuş: key and chord analysis
The song opens on Em and ends on Em. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it both starts and finishes on Em and Em is heard 10 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 12× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 8× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | — |
| V | D | Dominant — strongest pull home | D · F# · A | 2× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 10× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 10× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv | Am | Subdominant — moves away from home | A · C · E | 12× |
| v | Bm | Minor dominant — soft pull | B · D · F# | 8× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | — |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 2× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 4 different chords appear 32 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- D Em GV → videceptive cadence EmVII → iAeolian arrival ×2
- Am Em Gii → vi Emiv → iminor plagal ×2
- Bm Em Giii → vi Emv → inatural-minor cadence ×2
- Am D Gii → Vii → V Emiv → VII ×2
The move to watch is D → Em, heard 2 times. From the Em side it is VII → i (Aeolian arrival: rises a whole tone into home); from the G side it reads V → vi (deceptive cadence: expected G, lands on Em). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
Starting on Em, the song gives away its key from the very first bar. Am, Em, Bm, D carry the song: ii–vi–iii–V relative to G, iv–i–v–VII relative to Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on D → Em (V → vi in G, VII → i in Em): Aeolian arrival — rises a whole tone into home. Ending on Em, the song seals Em as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ebru Yaşar - Anılara Dalarız Burak Bulut Kurtuluş Kuş Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Burak BulutMusic: Burak BulutArrangement: Efe Can
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