Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Burak Bulut - Yarem Kurtuluş Kuş - Chord
Key G major – E minor Chords Bm, Bm7, C, Am7, D, Em, Em7, Cmaj7 Easy key C (capo 7)
No ratings yet
or your user informations
Make it yours
Text size
Key: G | Em
Capo: 0
Em7 Bm7
Senden bulamadı gönlüm bir huzuru
Am7 D
Şişelerin dibi gibi kurudu bu umudum yarem
Cmaj7 Bm7
Sineme dokundu bu kusurun
Am7 Bm7
Şimdi kim toparlayabilir bu durumu
Em Bm C Bm
Hayatımda senin olmadığın kadar uzun bir mola verdim
Em Bm C Bm
Daha başlamadan biten bir film gibi bu aşk da sona erdi
Em D C Bm
Bu aşkı istiyorsan karşıma çık hesabımız derin bak yaralar açık
C Bm C Bm
Sevgisizliğin bende yok kaçarı gerekiyorsa bu sonu sana baştan yazarım
Em7 Bm7
Senden bulamadı gönlüm bir huzuru
Am7 D
Şişelerin dibi gibi kurudu bu umudum yarem
Cmaj7 Bm7
Sineme dokundu bu kusurun
Am7 Bm7
Şimdi kim toparlayabilir bu durumu
End of song Play again?
Burak Bulut - Yarem Kurtuluş Kuş Tabs
NotesX
Harmony analysis
Burak Bulut – Yarem Kurtuluş Kuş: key and chord analysis
The song opens on Em7 and ends on Bm7. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it opens on Em and Em is heard 5 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii7 | Am7 | Supertonic — prepares the dominant | A · C · E · G | 4× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 7× |
| iii7 | Bm7 | Mediant — a tonic-family shade | B · D · F# · A | 6× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 5× |
| IVmaj7 | Cmaj7 | Subdominant — moves away from home | C · E · G · B | 2× |
| V | D | Dominant — strongest pull home | D · F# · A | 3× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 3× |
| vi7 | Em7 | Relative minor — the melancholy side | E · G · B · D | 2× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 3× |
| i7 | Em7 | Tonic — home | E · G · B · D | 2× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv7 | Am7 | Subdominant — moves away from home | A · C · E · G | 4× |
| v | Bm | Minor dominant — soft pull | B · D · F# | 7× |
| v7 | Bm7 | Minor dominant — soft pull | B · D · F# · A | 6× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 5× |
| VImaj7 | Cmaj7 | Submediant — warm colour | C · E · G · B | 2× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 3× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 8 different chords appear 32 times in total; 8 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Am7 D Gii7 → Vii → V Emiv7 → VII ×2
- Bm Em Giii → vi Emv → inatural-minor cadence ×2
- Bm7 Em Giii7 → vi Emv7 → inatural-minor cadence ×1
- Bm Em7 Giii → vi7 Emv → i7natural-minor cadence ×1
The move to watch is Am7 → D, heard 2 times. From the Em side it is iv7 → VII; from the G side it reads ii7 → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over Bm7, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
The opening Em7 lays a solid floor for everything that follows. The backbone is Bm, Bm7, C, Am7 — iii–iii7–IV–ii7 from the G side, v–v7–VI–iv7 from the Em side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am7 → D (ii7 → V in G, iv7 → VII in Em): ii → V — the classic preparation of the dominant. The final chord is Bm7; the ear comes to rest in G.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Burak Bulut - Yarem Kurtuluş Kuş Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Doğanay KaradenizMusic: Doğanay KaradenizArrangement: Efe Can
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.