Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Sıla Şahin - Alsınlar Samet Kardeşler - Chord
Key Ab major – F minor Chords Cm, Dbmaj7 Easy key C
No ratings yet
or your user informations
Make it yours
Text size
Key: Ab | Fm
Capo: 0
Cm Dbmaj7 Cm Dbmaj7 Cm Alsınlar beni assınlar Dbmaj7 Bu şehri ateşe bıraksınlar Cm Üzgünüm of sana dön diyemem Dbmaj7 Cm Üşüyosan canını yaksınlar Cm Gözümden yaş olur akar seneler Dbmaj7 Unutup gidemem kendime gelemem Cm Bu bi savaşsa bense kızım bize direnen Dbmaj7 Cm Çabuk unuttun sendin benden aşk dilenen Cm Sen gibi beni kimse üzemez Dbmaj7 Hiç kimse buna yok diyemez Cm Aşk bi gemi hep su alıyor Dbmaj7 Batıyorum derinlere Cm Alsınlar beni assınlar Dbmaj7 Bu şehri ateşe bıraksınlar Cm Üzgünüm of sana dön diyemem Dbmaj7 Cm Üşüyosan canını yaksınlar Cm Nerden çıktın karşıma bir anda benim Dbmaj7 Sen bana özel yaratılan bi travma Cm Boğazıma düğümleniyor canım Dbmaj7 Yenilipte hırsıma bi tek söz edemem Cm Sen gibi beni kimse üzemez Dbmaj7 Hiç kimse buna yok diyemez Cm Aşk bi gemi hep su alıyor Dbmaj7 Batıyorum derinlere Cm Alsınlar beni assınlar Dbmaj7 Bu şehri ateşe bıraksınlar Cm Üzgünüm of sana dön diyemem Dbmaj7 Cm Üşüyosan canını yaksınlar
End of song Play again?
Sıla Şahin - Alsınlar Samet Kardeşler Tabs
NotesX
Harmony analysis
Sıla Şahin – Alsınlar Samet Kardeşler: key and chord analysis
The song opens on Cm and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Ab major and F minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | — |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 20× |
| III | C | Chromatic colour chordoutside the key | C · E · G | — |
| IVmaj7 | Dbmaj7 | Subdominant — moves away from home | Db · F · Ab · C | 16× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | — |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | — |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | — |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | — |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 20× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VImaj7 | Dbmaj7 | Submediant — warm colour | Db · F · Ab · C | 16× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | — |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 2 different chords appear 36 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Dbmaj7, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The first chord is Cm; the ear learns where home is within a second. Cm, Dbmaj7 carry the song: iii–IVmaj7 relative to Ab, v–VImaj7 relative to Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is Cm; the ear comes to rest in Ab.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sıla Şahin - Alsınlar Samet Kardeşler Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Samet Kardeşler - Sıla ŞahinMusic: Samet Kardeşler - Sıla ŞahinArrangement: Efe Can
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.