Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Ceren Gündoğdu - Bi Daha Da Sevmicem - Chord
Key Ab major – F minor Chords Cm7, Bbm7, Abmaj7, Db Easy key C
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Key: Ab | Fm
Capo: 0
Cm7 Cm7 Bbm7 Bbm7
Cm7
Eli elime daha değmedi bile ama
Bbm7
Yanıyorum ben yanıyorum ona
Cm7
Gözünü kaçırıyor
Bbm7
Sanki dalga geçiyor benimle
Cm7
Yıllarımı yedi o, yıllarımı yedi
Bbm7
Niye kopamıyorum? Kopamıyorum ama
Abmaj7 Bbm7 Cm7
Gitmeyi de bilirim
Abmaj7 Bbm7 Cm7
Sana inat bunu öğrenirim
Cm7 Bbm7
Vakti geldi yola düşücem
Cm7
Gerekiyorsa yüreğimi sökücem
Bbm7
Gör bak nasıl büyük yemin edicem
Cm7
Bi’ daha da sevmicem
Cm7 Bbm7
Vakti geldi yola düşücem
Cm7
Gerekiyorsa yüreğimi sökücem
Bbm7
Gör bak nasıl büyük yemin edicem
Cm7
Bi’ daha da sevmicem
Db Cm7
Sana geri dönmicem
Cm7 Cm7 Bbm7 Bbm7
End of song Play again?
Ceren Gündoğdu - Bi Daha Da Sevmicem Tabs
NotesX
Harmony analysis
Ceren Gündoğdu – Bi Daha Da Sevmicem: key and chord analysis
The song opens on Cm7 and ends on Bbm7. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Ab major side because Ab is heard 2 times while Fm never appears. That is an interpretation, not a rule — hearing the same chords from F minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| Imaj7 | Abmaj7 | Tonic — home | Ab · C · Eb · G | 2× |
| ii7 | Bbm7 | Supertonic — prepares the dominant | Bb · Db · F · Ab | 13× |
| iii7 | Cm7 | Mediant — a tonic-family shade | C · Eb · G · Bb | 16× |
| III | C | Chromatic colour chordoutside the key | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 1× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | — |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | — |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | — |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| IIImaj7 | Abmaj7 | Relative major — the bright side | Ab · C · Eb · G | 2× |
| iv7 | Bbm7 | Subdominant — moves away from home | Bb · Db · F · Ab | 13× |
| v7 | Cm7 | Minor dominant — soft pull | C · Eb · G · Bb | 16× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 1× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | — |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 4 different chords appear 32 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Bbm7, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Abmaj7, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
Starting on Cm7, the song gives away its key from the very first bar. The chords that keep coming back are Cm7, Bbm7, Abmaj7, Db; read them as iii7–ii7–Imaj7–IV in Ab or v7–iv7–IIImaj7–VI in Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is Bbm7; the ear comes to rest in Ab.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ceren Gündoğdu - Bi Daha Da Sevmicem Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ceren GündoğduMusic: Ceren Gündoğdu
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