Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Ebru Gündeş - Bir Sebebi Var - Chord
Key Ab major – F minor Chords Fm, Bbm, Eb, Db, Cm, Dbmaj7 Easy key G (capo 1)
No ratings yet
or your user informations
Make it yours
Text size
Key: Ab | Fm
Capo: 0
Fm Eb Eb Db
Fm
Kimileri kaldı, kimileri geçti
Bbm Fm
Boşa didindi yanlışı doğrusu bak, konuşuyor hala
Fm
Sana bana kalmaz, her şey fani
Bbm Fm
Herkese tonla bize ise koklatıyor, şu yalan dünya
Fm
Dönüp dönüp duruyorum etrafında
Dbmaj7 Bbm Cm Fm
Görmüyor musun aklım kaçıyor bir bak, biliyorsun sorma
Fm
Dolduruyorum ceplerimi seninle
Dbmaj7 Bbm Cm Fm
Suya attım tek tek batıyor anılar, karışırlar toprağa
Fm Bbm
Yak yanıyorsa söndürme, alev alsın öldürme
Db Eb
Kimi kimlere kırdırıyor hayat
Fm
Bırak, içiyorsak bi' sebebi var
Bbm Db Eb
Kışa döndüm geçti bahar, seni benden çaldı yine hayat
Fm
Yürüyorum aklım bir karış havada
Bbm Fm
Bir türkü tutturdum geceden sabaha, başıboş sokaklarda
Fm
Düşüyorum kaldırsan mı biraz da
Bbm Cm Fm
Duy beni artık ölüyorum anlasana, bakıyorsun hala
Fm Bbm
Yak yanıyorsa söndürme, alev alsın öldürme
Db Eb
Kimi kimlere kırdırıyor hayat
Fm
Bırak, içiyorsak bi' sebebi var
Bbm Db Eb
Kışa döndüm geçti bahar, seni benden çaldı yine hayat
End of song Play again?
Ebru Gündeş - Bir Sebebi Var Tabs
NotesX
Harmony analysis
Ebru Gündeş – Bir Sebebi Var: key and chord analysis
The song opens on Fm and ends on Eb. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it opens on Fm and Fm is heard 17 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 10× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 3× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 5× |
| IVmaj7 | Dbmaj7 | Subdominant — moves away from home | Db · F · Ab · C | 2× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 6× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 17× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 17× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 10× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 3× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 5× |
| VImaj7 | Dbmaj7 | Submediant — warm colour | Db · F · Ab · C | 2× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 6× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 6 different chords appear 43 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×4
- Bbm Fm Abii → vi Fmiv → iminor plagal ×3
- Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×3
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×3
- Db Fm AbIV → vi FmVI → iVI → i ×1
The move to watch is Db → Eb, heard 4 times. From the Fm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the Ab side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 4 semitones up
The song's harmonic story
Starting on Fm, the song gives away its key from the very first bar. Fm, Bbm, Eb, Db carry the song: vi–ii–V–IV relative to Ab, i–iv–VII–VI relative to Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Db → Eb (IV → V in Ab, VI → VII in Fm): VI → VII — the rising step that heads for the tonic. The final chord is Eb; the ear comes to rest in Ab.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ebru Gündeş - Bir Sebebi Var Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Serhat KaranMusic: Serhat KaranArrangement: Ozan Doğulu
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.