Velet - Gözümden Sakındığım - Chord

Key G major – E minor Chords Em, C Difficulty already in its easiest key

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Capo 0

Em  Em  C  C

Em
Gözümden sakındığım, sen gerçek her şey yalan
C
İstediğim olacak tamam, dediğim günden beri her şey tamam
Em
Yaşamanın sebebi ne, you got no time for your lover
                          C
Boşa atıyo mı nabız, daha yeni değdi elin elime

Gözlerin bi uçurum serer önüme
Em
Gözüm bi doluyo yüzüm bi gülüyo
                                     C
Sinirimi bozuyo ara da o da güzel oluyor

Huzur için daha ne lazım
                        Em
Gemileri saydım geçti öfkem
       
Daha serüvenin en başı
                           C
Daha dur bu hikayenin en başı

Biliyorum derman kalmadı
                          Em
Sen tutun bana bu en tatlısı

Em
Kadehim boş ama şişe duruyor
                  C
Can bedenden ayrılmış

Sınama boş bardaklarım hep çatlak

Benim sabrım taşmış

Em
Bir çok kez yanıldım, çünkü sen benim en güzel yanımdın inan
C
Öylece bakabilirim sana, öylece bakabilirim sana
Em
Baka kalabilirim bilirim, uykuyu yanında da tadabilirim
C
Kabuslar hep atar uçurumdan, tut beni diye daha uyumayabilirim

Em
Bu gece çok içecem yine pilot olacam
                           C
Uyu güzelim rüyana iniş yapcam

Bi kere elini kalbine koy
                Em
Ordaysam vicdan duysun

Örtünsem geceleri üstüme

Gün yine ister beni kendine
C
Ben senden geçmem asla

Gülüşünü benden gizleme

Em
Kadehim boş ama şişe duruyor
                  C
Can bedenden ayrılmış

Sınama boş bardaklarım hep çatlak

Benim sabrım taşmış

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Velet - Gözümden Sakındığım Tabs

NotesX

Harmony analysis

Velet – Gözümden Sakındığım: key and chord analysis

The song opens on Em and ends on C. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F# (leading tone, pulls home)
4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = C (the minor's melancholy)
b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the E minor side because it opens on Em and Em is heard 13 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree	Chord	Role	Notes	In song
I	G	Tonic — home	G · B · D	—
ii	Am	Supertonic — prepares the dominant	A · C · E	—
iii	Bm	Mediant — a tonic-family shade	B · D · F#	—
V/vi	B	Secondary dominant V/vi — leads to Emsecondary dominant	B · D# · F#	—
IV	C	Subdominant — moves away from home	C · E · G	12×
V	D	Dominant — strongest pull home	D · F# · A	—
vi	Em	Relative minor — the melancholy side	E · G · B	13×
vii°	F#dim	Leading-tone chord — tension	F# · A · C	—

Seen from E minor
Degree	Chord	Role	Notes	In song
i	Em	Tonic — home	E · G · B	13×
ii°	F#dim	Supertonic — prepares the dominant	F# · A · C	—
III	G	Relative major — the bright side	G · B · D	—
iv	Am	Subdominant — moves away from home	A · C · E	—
v	Bm	Minor dominant — soft pull	B · D · F#	—
V	B	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	B · D# · F#	—
VI	C	Submediant — warm colour	C · E · G	12×
VII	D	Subtonic — steps back to the tonic	D · F# · A	—

Analysis

The key pair is G major and its relative E minor (1 sharp). 2 different chords appear 25 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

C Em GIV → vi EmVI → iVI → i ×10

The move to watch is C → Em, heard 10 times. From the Em side it is VI → i (VI → i: falls a half step into home); from the G side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
Over C, land on C, E, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With G major shapes

No capo — open G shapes
Capo 3 + E shapes
Capo 5 + D shapes

With E minor shapes

No capo — open Em shapes
Capo 2 + Dm shapes
Capo 7 + Am shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The opening Em lays a solid floor for everything that follows. The backbone is Em, C — vi–IV from the G side, i–VI from the Em side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → Em (IV → vi in G, VI → i in Em): VI → i — falls a half step into home. It closes on C, letting the G side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.